Est. 2002
Airbag has been around since Moveabletype Beta and has enjoyed a reputation for being a blunt voice in the world of digital design.
You are the value. Your ideas, your insights, your compassion, your ability to help someone in need, your dumb puns and dank memes; that’s what’s valuable.
A nice, heart-felt thought from Mr. Rupert. Also, I love the quote from Sam Rayburn.
➵“David Zwirner is pleased to present The Outlands, a selection of photographs by William Eggleston, the majority of which have never before been seen publicly. Some images recall rural colorist landscapes from the nineteenth century, while others have an almost subdued yet ponderous visual quality reminiscent of the paintings of Edward Hopper.”
A wonderful, Lomoesque look at a moment in time in America.
➵Ms. Jen has always been a voice of reason to me and I admire her independent spirit.
Elon M taking Twitter private and destroying it may be the shock we creators, who left our blogs and DIY internet endeavors in the late 2000s / early 2010s for various social media style micro-blogs owned by other people, needed to wake us up and shock us back into the Indie Web rather than the Corporate Web.
I’m inspired. Are you?
➵Meanwhile, I’ve dusted off my Mastodon account.
➵My friend and peer, Sameera Kapila, shares a personal, behind-the-scenes story of what it was like for her to write the upcoming book Inclusive Design Communities. I don’t know what authors typically go through when writing a book—or if there is such a thing—but having talked to Sam a few weeks ago and now reading her blog post, the journey has not been easy. Thankfully Sam made it through, and we are now blessed to have this book which I refer to as the manual for living the Golden Rule. More on that later.
➵I love this thought shared by Shawn Blanc today.
Have a minimum amount of time set aside for the good, the deep, and the essential things.
Have a maximum amount of time set aside for those things which are shallow and not essential.
The simplicity of this system makes it impossible to ignore. It reminds me of Warren Buffets who “reportedly spends as much as six hours a day reading books." Spending hours each day on learning (maybe not as much as Warren) seems like a great way to invest a minimum amount of time to set aside for good.
Thanks Shawn, I needed this today.
➵The latest issue of Rob Weychert’s Plus Equals—a zine on “algorithmic art with a focus on combinatorics”—is out and it’s worth setting your time and attention aside to explore. For this issue Rob created another based on the use of Bézier curves.
While working for the automaker Citroën in 1959, the French physicist and mathematician Paul de Casteljau developed a method for computationally describing and creating curved lines. A short time later, an engineer named Pierre Bézier independently made the same discovery and applied it to the design of automobile bodies at Renault, another French car company. Unlike de Casteljau, Bézier didn’t hesitate to publish his findings, and so the method, which is still widely used today in the design of everything from fonts to video games to the aforementioned Les Paul guitars, became known as the Bézier curve.
The story goes on to describe the system Rob created to enable the generation of a gallery with 562 distinct pieces. While I thoroughly enjoy each edition of this work, this latest collection feels like jazz. Visually they remind me of the gestures an orchestral conductor makes.
The system generates some loose motifs, which imbue the scribbles with a shared character, as if they collectively represent one person’s handwriting in the absence of an alphabet. And that person seems to be expressing something, albeit in a subtly regimented manner. It’s not hard to see in these scribbles anger, joy, confusion, or even boredom, and yet these emotional qualities never manage to empower the scribbles to escape their confinement.
Similar to how a conductor’s movement is confined to an approximate area in front of them or a series of chords and riffs repeatedly used in jazz, albeit continuously deconstructed from session to session. That’s how I think about it but I am not a musician.
That said, I’m curious how this system created to generate this visual art could be translated into music. What does Plus Equals issue six sound like?
We’re lucky to have Plus Equals in this world. I appreciate that Rob publishes each issue in full on the website, but the zine should not be missed.
➵Adobe and Figma share a passion for helping individuals and teams be more creative and productive. With Adobe’s and Figma’s expansive product portfolio, the combined company will have a rare opportunity to power the future of work by bringing together capabilities for brainstorming, sharing, creativity and collaboration and delivering these innovations to hundreds of millions of customers.
In July, I wrote this insight in a playback for a strategy project I am working on: “Adobe stands to gain the most from token standardization and maturity.” When they provide a way to create and manage design tokens across their platform of applications (product, marketing, editorial, brand, and media) it will be game, set, match for Adobe.
➵I had a hunch bulletin board systems were still around. So is Usenet by the way, but newsgroups didn’t have the same feel as a closed system—too much noise. Telnet is great, but I miss the heyday of customized First Class systems like Virtual.Village. I should write about the first GT I went to in the middle of nowhere Alaska, home of the Neon BBS.
➵In short, it is “stories about possible worlds that are told through designed artifacts.” Think of it like designing a plausible but just out of reach future with a little reverse archeology thrown in.
A good example is the tricorder from Star Trek, but a better example is the Annual Report from the Future written by Julian Bleecker. Trying to raise money for a product startup, he struggled.
Translating a Vision into bullet points resulted in ‘slides’ that lacked the kind of acuity I thought the Vision deserved. Representing my imagination through clip art, and Excel graphs was like trying to enjoy a meal of broken glass. So, I wrote an Annual Report…from 2024.
I love this idea of creating a future to the degree it can be studied and analyzed. This is the exact kind of work we did in the IBM Design Incubator program based on the Loop: Observe, Reflect, Make. What I like about Julian’s work is that it’s outside of the digital world.
I’m happy to see other design programs are taking shape around this type of work. I know we moved the needle at IBM more than a few times with this type of work. It was liberating and illuminating for the divisions we worked with.
Design Fiction is a perfect way to get outside of bad traditions and legacy thinking.
➵From the product description: “This anniversary collectible edition of the Classic 497 Lego Galaxy Explorer model retains all the joy of the 1979 set but on a bigger scale.”
I never had this kit, but I looked at it over and over again in the Sear catalog. Instead I spent many, many hours of my life playing with the 920 Alpha-1 Rocket Base that featured a moon scape “crater plate.”
It’s great to see Lego dig into their archives and revitalize these works of art.
➵Ethan Marcotte writes,
I just haven’t really felt much like, I dunno, being online. I’ve mostly stepped away from my public Twitter account because — well, it’s like the horse said. On top of that, I haven’t felt like writing, or doing much design work, or tinkering with this little website. It’s not that I couldn’t have used a little time with my worry stone, what with the state of [gestures around], but I just didn’t feel up to it. I’d finish work for the day, then it’d be dinner with she, playing with the kittens, maybe a video game or two. Just didn’t have fuel for anything else.
You are not alone my friend. I just finished a small research effort and I got some insights to how people are doing right now. In short: We’re all wiped. Some more than others for an array of reasons. Even those who are trying to make a comeback to what we used to refer as “normal life” are drained.
Also, in the same post Ethan talks about his newly redesigned website. I dig it, especially the new version of the logo! Nice work Beep!
➵This is required reading for anyone who considers themselves a designer. I only provide this quote as a means to entice everyone to click through and read—no, see—the post which includes images that will sell Sailly’s approach.
Before presenting it, let’s cover quickly the first solution that will naturally come to mind for the developers you work with: automating the production of color variants from a given reference by applying a mathematical formula. A formula is objective, stable, and can be automated - reassuring.
The concentric format offers a better visual perception of the variants progression than with the stacked rectangles.
Doing this exercise gives the feeling of shaping the progression and allows the link between intention and result to exist. The mental image I used to help me is that of concentric discs of varying thickness stacked on top of each other, seen from above. The smallest one being the closest to a zenith light source (therefore the lightest), and the largest the farthest away (therefore the darkest).
By increasing the number of variants, it is possible to refine the profile of this fictitious volume, and to ensure a choice of references in the areas of the spectrum that will be relevant to the project.
Good design is a craft, not a formula.
➵This is interesting: A cafe/co-working space optimized for a specific type of work to be done combined with paid accountability.
The cafe’s co-owner, Takuya Kawai, directs his customers to set a goal for the day and, if requested, prods them to get on with it. If they fail to meet it by the time they leave, they have to pay a fine equivalent to $22. It’s an honor system, says Mr. Kawai, but it seems to work.
It seats 10, and costs around $2 an hour, or $4.50 an hour for a premium seat facing a brick wall.
Students working on book reports, comic-book illustrators, authors, and corporate warriors with a presentation due have been flocking to the cafe, which opened in April in an artsy Tokyo neighborhood.
Whereas this place is optimized for writing, imagine if it was optimized on levels of trust and industry. It’s interesting to gather folks of the same vocation together, but way more intriguing when they have an additional shared trait. Add a level of safety and trust, and the interactions are far more meaningful.
I have witnessed this firsthand in two different settings—first, creating and hosting a retreat for studio or consultancy owners. Second, hosting Design Leadership Forum events for executive design leaders, not based on where they lived but by industry. In both settings, once a level of trust was established, the quality of discourse increased dramatically.
As remote or hybrid working conditions are here to stay, there are going to be more opportunities to explore in offering goal oriented, trusted spaces. I’d love to see more experiments with this idea.
➵The cover portrays elements of a used moving box. The team produced 40 iterations which, thankfully, you can see a few of in the post. Print is far from dead.
➵Akira is one of a few stories that is amazing but as manga and anime. If you haven’t read the original manga, you’re missing out. If you haven’t watched the anime adaptation you’re, again, missing out. The story is amazing, but the look is off the charts. The film set a bar for science fiction—cyberpunk in particular—that remains to this day. Take a look at the It’s Nice That piece and you’ll see why for yourself.
➵Volkswagen is entering the electric off-roader scene, and in doing so will revive a legendary nameplate: the Scout. Made famous by truck and tractor maker International Harvester in the 1960s and 1970s, the Scout moniker will return on an electric SUV and pickup truck designed for the American market, with production planned for 2026.
Wow! I can’t wait to see all of the design work that’s going to come from this endeavor.
➵I completely missed the launch of a new publication by UnderConsideration. IHIF dives into “the great work being done by in-house teams or learn about how they work.” The results are far more detailed and exciting than a mere showcase of the work coming out of these teams. The nomination process begins with serious set of requirements. The results are phenomenal and a welcome addition to the UnderConsideration’s body of work.
For example, take a look at the MailChimp issue to see the goodness for yourself. I’d love to see these stories shared as a zine, but I’ll take whatever Bryony and Armin have time for.
It would be great to see the addition of Mike Abbink and his team at IBM, who have created a ton of great work with a thorough rebranding that includes the Watson design system.
➵“A podcast about magazines and the people who made—and make—them.”
Hell yes!
A great show off to a great start with industry titan, designer Roger Black. And, just as amazing, editor Kurt Anderson, co-founder of the singular Spy magazine.
➵For those who experience the occasional fear-of-missing-out—and who doesn’t—I recommend this essay by Jeanne Proust. Her perspective, grounded in The Possible and The Real by Henri Bergson, is worth your time and focus. While the conclusion is shareable, it will only resonate if you read the entire piece.
We should more radically let go of the assumptions behind FOMO…by changing our perception of what time and free will really are. Bergson’s freedom — durational, personal and creative — invites us to intuitively grasp the unforeseeable newness that our perpetually evolving personality brings with itself at every instant. That here and now in the making should not be just the object of a healthy, humble resignation; it should be the occasion of perpetual marvel.
Bergson rejected the idea of a tree of possibilities and the angst that it generates in us: There are no such things as missed opportunities, as “dead” branches left behind, as futures renounced. So say goodbye to the incapacitating shoulda, coulda, woulda obsession. And be amazed at the continual creation of unpredictable novelty.
We can only move forward with intent, not make believe.
➵Eenie, meenie miny, moe. Find a new place to call home.
➵The smartest analysis I have read on how technology has fueled our increasingly partisan society, how our current situation will worsen, and what we can do to turn things around. Though published by the Atlantic, I found the perspective, research findings cited, and criticisms of both sides of the political spectrum to be fair.
➵The auction ended with the highest bid at $277. Three figures, not eight.
➵Food & Wine’s list for 2022 includes Marco Suarez’s Methodical Coffee from South Carolina.
➵Like a project right out of the Joshua Davis playbook:
William Gibson coined the term ‘cyberspace’ in his dystopian novel Neuromancer in 1984. In 2016 he invited the digital artist and programmer Daniel Brown to design new book covers for his Neuromancer trilogy. Brown wrote fractal mathematics software to create photographic, architectural, Escher-inspired arrangements that provide infinitely claustrophobic, coded settings for the visionary series.
All of the covers I’ve seen for the trilogy I’ve seen previously feature some kind of digital computer or cyberpunk imagery (like the intro scene of “The Internet” in the movie Johnny Mnemonic). I like Daniel’s alternative interpretation, especially the finished versions.
➵A useful and practical essay on formulating our perspectives on the world. Especially in those times—like right the hell now—when we don’t know what to think any more.
As Kottke wrote, “I don’t really have a good way to describe it either, so maybe just take 4 minutes and watch it?”
➵Andy Baio shares his story related to a new documentary on “Ghyslain Raza, the unwilling subject of the “Star Wars Kid” meme, the biggest viral video of the pre-YouTube era.”
Some twenty years ago, Andy posted a re-mix of the video to his blog, and it exploded into one of the earliest memes that I can recall. It is surreal to see the paths of these two people come back together, albeit in a very different way.
It’s an incredible story, but what really got me was Andy’s reflection on his actions decades ago:
I’ve never talked about it publicly, but I regret ever posting it. From the start, it was obvious it was never meant to be seen, and mirroring it on my site without consent was wrong in a way that I couldn’t see when I was in my 20s, one year into blogging. I removed the videos once it was clear how it was affecting him, but I never should have posted them in the first place.
Meeting Ghyslain gave me the opportunity to tell him all of that in person, as well as in my interviews, some of which made it into the finished film.
Looking back on those salad days of blogging, I know there were times I published perspectives and made comments that I would hesitate to post today. I have since learned (the hard way) that if you have to walk around eggshells to get the point across, that’s a sure sign that it’s time to put the laptop down. I’ve also learned (again, the hard way) that when I thought I had made it clear that my writing had a satirical flair, it was not obvious at all.
Andy has always been a source of finding or creating things that have helped define our zeitgeist. As many of his thoughts and actions have been woven into our culture, I love to see his latest act of reflection and reconciliation take hold. I hope it doesn’t take twenty years for the rest of the world to catch up.
➵A single use website that broadcasts Seinfeld 24/7. Feels so 1998! Not that there’s anything wrong with that.
➵My conversation with J Cornelius (founder of Nine Labs) on the Design Driven podcast is out. I always enjoy my conversations with J. In addition to being a great host he is intelligent and inquisitive and provides a perspective that is both validating and informative.
From the show description:
One of the most common problems our clients come to us with is how to “do design” more efficiently and effectively. It seems the larger and older the organization is, the more they struggle to perform the activities required to create high quality digital products. It’s not for a lack of resources or talent. They have plenty of smart people, but they are haunted by the ghosts of legacy thinking and management which prevent them from performing at their best.
In this conversation with Greg Storey, we dive into some of the issues organizations face when it comes to great design outcomes, and discuss how the best-run organizations are overcoming those challenges to achieve great results.
Behind my thoughts shared in this program are the observations I’ve made as a leader in a number of design programs of different shapes and sizes in the last five years. It’s an early look at the synthesis that I’m working through as a way to guide my research on the future.
➵As if the world doesn’t have enough bullshit going on now a bunch of parents are scrambling to save their child’s soul. And a good man is shamed into quitting his job and his role in the community.
A Catholic priest in Arizona has resigned after he was found to have performed baptisms incorrectly throughout his career, rendering the rite invalid for thousands of people.
The Catholic Diocese of Phoenix announced on its website that it determined after careful study that the Rev. Andres Arango had used the wrong wording in baptisms performed up until June 17, 2021. He had been off by a single word.
During baptisms in both English and Spanish, Arango used the phrase “we baptize you in the Name of the Father and of the Son and of the Holy Spirit.” He should have said “I baptize,” the diocese explained.
Does this sound like a What Would Jesus Do moment to you? Religion is so stupid.
➵From a recent story on Quartz:
Working from home may mean less time in the shower—but also more time at your desk.
Forgoing grooming and commuting gives at-home workers in the US an extra six hours compared to when they went into the office, according to a monthly survey of nearly 4,000 respondents put together by a group of economists. Half of that extra time goes to more recreational activities, but they spend the other half working.
All of the years I have worked remote typically meant logging in at 6AM to check-in with my co-workers on the East Coast and then working through till 4-5pm. That wasn’t a habit created by working on a virtual team, but my own problems being a workaholic.
I am just learning what it means to create a “life"or lifestyle first and schedule work around it (I’m still very skeptical). I suspect I am not alone in learning this way of thinking. And while I have worked remotely for IBM, USAA, and InVision I have yet to see or hear of any employer help teach these skills. If remote work is going to continue en masse and at scale, helping employees learn what to do with the time they save not sitting in traffic or on a train will be, if not already, important for everyone.
➵Of course gaming isn’t exactly the target for this technology now but the anti-web3 sentiment is strong. Like this comment from a recent survey of developers by the folks behind the Game Developers Conference:
Why do we need them? What benefit does it have putting these systems into our games? Who is using these things? It feels like a very small audience. And also, these technologies are still not using sustainable energy and are a target for money laundering. As a developer I feel deeply uncomfortable that there is a push for these. It feels entirely fueled by greed for more money because we read stories about crypto millionaires, when in reality all of it is extremely unstable and unethical.
Better yet…
➵How this hasn’t been identified as a pyramid scheme is beyond me.
I have always admired the work of Jasper Johns, but even more so after reading this story behind one of his works, “In Memory of My Feelings — Frank O’Hara.”
Beneath that gray are feelings that are irrepressible, uncontainable. And in this one painting, Johns shows how your one little life can become art that matters.
I highly recommend taking ten minutes to yourself—in an environment with no distractions—and digest this story.
➵The company took an Instagram account away from Thea-Mai Baumann, an Australian artist and technologist because she registered the username Metaverse nine years ago.
In 2012, she had started an Instagram account with the handle @metaverse, a name she used in her creative work. On the account, she documented her life in Brisbane, where she studied fine art, and her travels to Shanghai, where she built an augmented reality company called Metaverse Makeovers.
It took a month for Thea-Mai to get her account back from Facebook with no explanation from the company. If she had not raised awareness of this situation—to the extent that it received attention from the New York Times—she likely would still be waiting.
➵Another quarter brings the latest issue of Rob Weychert’s fantastic zine. The subject is on creating seamless patterns.
In my design career, I’ve created my share of tile patterns, especially in the early days when the background of pretty much every website was a neo-Warholian eternity of stars or balloons or skulls or whatever. In patterns, as in any other aesthetic endeavor, beauty is not easily formulated or defined. Music theory and the golden ratio notwithstanding, the right brain guards its secrets well. But I’ve found that patterns that stimulate my left brain tend to obey a recognizable principle: the harder the individual tiles are to detect, the better. This often equates to complexity: greater complexity equals greater seamlessness equals greater wonder induced.
Achieving that kind of complexity in tile pattern design has typically evaded me, to say nothing of making it actually look good. But recently I started thinking about how complex, seamless tile patterns could be derived from relatively simple systems, and it wasn’t long before combinatorics entered the fray.
Intriguing from cover-to-cover, especially the gallery of combinations made possible by Rob’s process. The whole issue is beautiful, especially if you’re fortunate to receive the printed edition. What I really want now is a series of desktop images and maybe even the tile set to play with on my own.
➵You’re going to want to bookmark this handy reference. An English grammar reference guide written based on data gathered by the AI-powered tool, Writer.
One of the questions our subscribers ask most, whether they’re proofreading pros or full-time students, is how they can avoid the most common grammar mistakes. In this list, we outline some of the most common grammatical errors we’re seeing, based on millions of data points from Writer subscribers.
My favorite of the list, Run on Sentences:
Contrary to popular belief run-on sentences aren’t necessarily long they simply occur when commas and/or other types of punctuation are missing like this.
My second favorite, the list of “7 major types of grammatical errors” that’s actually ten. I’m not sure if that’s an AI joke or not, but the information is super helpful none-the-less.
➵Suffice to say, Colin O’Keefe has earned every mile of his point-of-view on ebikes. And he shares quite a few thoughts on ditching you car for an electric bike including this bullet point:
The very biggest part of this, something that’s impossible to put into words is this—it’s more fun. It’s way more fun than driving. If you need to do four different errands in your neighborhood, and you do it in a car, it’s torture. Whipping a bike to all four spots? The opposite. There is no feeling like going to a huge sporting event in which your team wins and cruising out into the night by bike. The only downside is you’re gonna hate driving even more than before.
I love my Vanmoof, but I already have my eye on the next bike, the all carbon-fiber LeMond Prolog. Check out the Wired interview, Greg LeMond and the Amazing Candy-Colored Dream Bike.
➵My better half and I stopped buying gifts for one another a while back because after the initial excitement wore off, the gifts we were buying didn’t make a lot of practical sense. It didn’t take too long before we had a better life buying what we needed when we needed it and trying to cut down on buying things for the sake of a holiday tradition.
I like Annaliese Griffin’s thoughts that add even more credibility to our capitalist habits this time of year.
Every new purchase puts into motion a global chain of events, usually beginning with extracting oil to make the plastic that is in everything from stretchy jeans to the packaging they come in. Those materials travel from processing plant to factory to container ship, to eventually land on my front porch, and then become mine for a time. Sooner or later, they will most likely end up in a landfill.
There’s so little pleasure in those kinds of purchases, and I’m not alone in that assessment. In her book “Consumed,” Aja Barber, a sustainability and fashion industry expert, writes about the perpetual disappointment of Black Friday shopping that ends in buying “merchandise you hadn’t seen before and didn’t especially want, but somehow felt compelled to buy because of the low, low, low cost.”
The last paragraph feels cringe-worthy because it’s true. “Stuff isn’t our identity,” as Annaliese writes, and “time spent together in conversation, on a walk or preparing a meal is far more meaningful than anything you can unwrap.” Time will always be the best gift you can give because not all of the money in the world can buy one more minute.
➵This is fantastic news in so many ways. Aside from Luc Besson, I can’t think of a better creative person to bring Jodorowshy’s epic science fiction story to cinema. And, apparently, it’s just the beginning!
The Incal is also just the first work in a series of connected comics that Jodorowsky wrote (referred to as the Jodoverse), which could see the upcoming film be the start of the kind of long-running franchise that Hollywood has been chasing since the success of the Marvel Cinematic Universe.
With that in mind, Waititi is the best candidate to pull this off. What a great opportunity for people who make films.
➵Steven Levy’s ode to the Macintosh published by Wired magazine in 1994.
The shape is now a familiar component of our culture, as instantly recognizable as a Volkswagen or a Coke bottle. But in November, 1983, two months before its public unveiling, I had never seen anything like it. All I knew was its name - Macintosh - and that it was supposed to change the world.
The first time I saw the Macintosh I knew that whatever I did in life, I wanted to do it using that computer. I bought my first Mac almost ten years later and never looked back.
➵Ethan Stanislawski holds no punches in his latest blog post:
There’s no comedian, musician, actor, or artist who could have disappointed me more than Aaron Rodgers disappointed me this week. And what he did isn’t close to the worst thing any of my former heroes have done. He’s not an open Trump supporter like Mariano Rivera, Paul O’Neill, or Brett Favre, hasn’t engaged in generally idiotic criminal behavior like Johnny Jolly, Sean Avery, or Brett Favre, and has never been accused of abusive or predatory behavior or violence like David Cone, Robin Van Persie, or Brett Favre. For Christ’s sake, I’m willing to do the mental gymnastics to continue to root for the New York Knicks despite everything that’s happened for the last 20 years, and the fact that their recent resurgence is in no small part fueled by Derrick Rose.
There’s a sense of betrayal with Aaron Rodgers, though, because, for the past decade-plus, I’ve convinced myself that he is not only one of the greatest athletes to ever play for a team I root for, but that he, himself, was a fun dude to root for.
Indeed. Considering how much Aaron is embedded in our culture, beyond sports, his actions, his excuses, and his response are all extremely disappointing.
➵The Athletic—a new magazine to me—reports what you can’t see or hear on television: A lot, like, a lot of severely pissed off fans who are tired of a growing catalog of mistakes.
That feeling of disconnect coursed through the Tottenham Hotspur Stadium on Saturday night. Many supporters don’t feel like this is their club anymore, a sentiment that has been bubbling away for some time but has come rising to the surface in the wake of seismic events like Pochettino’s sacking, Mourinho’s hire and membership of the doomed and loathed Super League. And then short-term triggers, such as dismal home defeats such as the humbling by United.
What can Levy [the team’s majority owner] do to turn the tide? Does he sack the head coach four months after his appointment? Does Paratici take the hit for a head coach hire that looks increasingly misguided?
There aren’t easy answers to the issues facing Levy and Spurs.
I am new to this sport, but since when is anything in the Premier League easy? It’s not that the ownership hasn’t tried new tactics or spent money a lot of money on coaches or, you know, a brand new, billion-pound stadium. Rather, I think they need a new algorithm to help them make better decisions.
➵Egypt feels they are owed $550M for backing up the Suez Canal. The poor sailors aboard the ship are not allowed to leave until lawyers figure things out, which could take years. The sad news, the situation isn’t unique.
➵While the service has had a handful of improvements since Amazon bought it in 2014, the app has remained mostly the same. I write that but it’s worth noting that shortly after Amazon bought comiXology they took away the ability to purchase items within the app experience as a way to avoid paying Apple any percentage of sales. The announcement posted today says that shopping will return in addition to new features that will provide “flexible filtering and sorting, and some fun book navigation.”
➵And what a win it was, requiring a last-minute change in tire strategy three laps to the finish. It was one of the more exciting finishes in the last couple of years that I can recall. I’m not an ardent Lewis supporter, but I appreciate that today’s win has a lot of significance in the world of racing. Even if you’re not a Formula1 fan, Andrew Lawrence’s article helps put Lewis' achievement in perspective.
Over the past 15 years, the 36-year-old Briton has won seven world championships, tying the record set by Ferrari’s Michael Schumacher — the German F1 driver who was regarded as the greatest of all time until Hamilton broadsided him from that perch. At Sunday’s Russian Grand Prix, Hamilton rallied through a late rain shower to claim the checkered flag on the way to becoming the first driver in the sport’s history with 100 career victories. And that’s besides his 100 career pole positions. As achievements go in racing, this is beyond otherworldly.
For one thing, racing isn’t like other sports. They don’t win some and lose some. Cars break down, race strategies falter, accidents happen. Confidence cracks under pressure. Drivers can go years without winning. Heading into Sunday’s IndyCar Series finale at Long Beach in California, Scott Dixon, a six-time champion and the series’ active all-time victories leader, had just one win to his name. Jimmie Johnson, the seven-time NASCAR champion who crossed over into open-wheel racing earlier this year, won 27% of the time at his NASCAR Cup racing peak in 2007 — and that’s with vastly more opportunities to try on a 36-race schedule.
In F1, 10 or 15 wins over a career are enough to make a legend. Argentina’s Juan Manuel Fangio, the five-time champion who dominated F1 in the 1950s, has 24 victories. France’s Alain Prost, the four-time titlist who excelled in the ’80s and ’90s, more than doubled that haul. Schumacher, the Ferrari ace, set the bar even higher, winning an unbelievable 91 times in 308 starts. Meanwhile, Hamilton’s 100 triumphs have come in a relatively breezy 281 attempts.
Lewis has dominated the sport for the last five years, but he hasn’t had it so easy in 2021. A handful of drivers have won races making the fight for world champion much more competitive than in a decade. As the season progresses towards the last race in November, both the drivers and the teams are getting more aggressive. There’s never been a better time to watch the myriad of stories that includes Lewis' campaign to be the most decorated Formula 1 driver, the world’s best race car driver of all time.
➵Their first model, The Limited-Edition S1, is modeled after the first Harley Davidson motorcycle built in 1903. The limited-edition bike comes with “white-toned Schwalbe Super Moto-X tires, a hand-crafted, honey-colored leather saddle and matching leather grips from Brooks England, and a stamped-brass shield mounted to the front signature light.” As far as e-bikes go, this is the first one I’ve come across that was created more for collecting than riding. The company, now called Serial 1, also produces a handful of other, more affordable, and practical models.
➵Delayed Gratification magazine ranks the Bonds. It is one of many infographics presented in their upcoming book, An Answer For Everything. Ranked by a number of data points that includes box office revenue and the number of martinis consumed during the film. Though it makes for an amusing chart this has to be the very worst way to rank the character. I would have loved to seen the same infographic driven by quantitative correlated with qualitative data. For example: Don’t rank the Bonds by how many martinis they consumed but add user sentiment on who portrayed the better imbiber and who would you prefer to hang with during an all-nighter.
Related: The next James Bond film will be Daniel Craig’s last. Vogue magazine jumps the gun with a look at, no less than, 17 contenders to fill the role in the future. If you’ll recall, Daniel Craig was a very controversial choice when he was announced. Kinda frumpy and decidedly blonde, his image didn’t exactly fit the casting mold the Broccoli family protected for so long. I hope that they’ll continue to shake things up by daring to evolve the character and the franchise further. Daniel Kaluuya would make an awesome 007, but giving Lashana Lynch the license to kill would be extremely explosive. Not only on film but to the many glass ceilings in the film industry.
➵Though I am not a skater, I have always admired the sport. Though the equipment may have changed, the attitude hasn’t. In this interview with Michael Burnett, editor in chief of Thrasher, he shares his origin story, and it just reaffirms that the skater way is still strong.
➵I’m sad to see this as Hoefler has always been a special company to me. The quality of everything they produce, even their website, is top notch. Hoefler&Co. is the epitome, the definition of “well designed” and while Monotype shares some of those values, it will never be the same. As Jonathan Hoefler steps away, I hope he’ll move into something that will give us a new expression of his detailed observation, inspired creativity, and unparalleled craft.
➵And insanely beautiful! You have to clickthrough and scroll through the photos. Note the evolution in the body style.
➵Of all the movies held back due to the pandemic, The French Dispatch is one of the top three I wanted to get a digital release. The film will debut on October 2nd, but only in theaters which means I’ll see it sometime in December when I can watch it in the safety (and peace and quiet) of my own home.
Until then, I’m happy to come across this article in The New Yorker that is just as much about Wes Anderson as it is about his film. Here is an early tidbit about Anderson’s attachment to The New Yorker:
When I was in eleventh grade, my homeroom was in the school library, and I sat in a chair where I had my back to everybody else, and I faced a wooden rack of what they labelled “periodicals.” One had drawings on the cover. That was unusual. I think the first story I read was by Ved Mehta, a “Letter from [New] Delhi.” I thought, I have no idea what this is, but I’m interested. But what I was most interested in were the short stories, because back then I thought that was what I wanted to do—fiction. Write stories and novels and so on. When I went to the University of Texas in Austin, I used to look at old bound volumes of The New Yorker in the library, because you could find things like a J. D. Salinger story that had never been collected. Then I somehow managed to find out that U.C. Berkeley was getting rid of a set, forty years of bound New Yorkers, and I bought them for six hundred dollars. I would also have my own new subscription copies bound (which is actually not a good way to preserve them). When the magazine put the whole archive online, I stopped paying to bind mine. But I still keep them. I have almost every issue, starting in the nineteen-forties.
Depending on your level of curiosity and knowledge of The New Yorker, the rest of the interview might contain too much information, also known as spoilers. So I’ll end this with this exchange between the article author, Susan Morrison and Anderson.
People have been calling the movie a love letter to journalists. That’s encouraging, given that we live in a time when journalists are being called the enemies of the people.
That’s what our colleagues at the studio call it. I might not use that exact turn of phrase, just because it’s not a love letter. It’s a movie. But it’s about journalists I have loved, journalists who have meant something to me. For the first half of my life, I thought of The New Yorker as primarily a place to read fiction, and the movie we made is all fiction. None of the journalists in the movie actually existed, and the stories are all made up. So I’ve made a fiction movie about reportage, which is odd.
With that in mind, I would love to see a similar treatment—a movie—about Tyler Brûlé, Andrew Tuck, and the troupe at Monocle magazine and their radio station, M24. Not by Wes Anderson, but a better fit like writer/director Armando Iannucci.
➵Sean Blanda, one of the smartest persons I know in content:
I’ve been working as a head of “content” in one capacity or another since 2014 and I’ve never seen a hotter job market for my field. Tech companies are tripping over themselves to “go direct” and build the audiences they want to reach, skipping most traditional media channels.
I’m sharing because building an audience is much much harder than it looks (just ask the 50 million Americans out here trying to be influencers) and also to share many of the unseen factors that go into building an audience for a startup.
For anyone trying to grow an audience, here is your masterclass. You can bet I’ve already saved this to Pocket.
➵Created by the design team lead by Creative Director Amy King. In addition to the three-pack with a focus on living, they also produced a beautiful zine on the Chicano Moratorium, a historical anti-war demonstration march in 1970. In a world of apps, I love that the LA Times is trying different ways to tell stories with different methods of print. More, please!
➵Until moments ago I had no idea anything like this existed. I don’t ever recall seeing this in a Sears catalog or a sci-fi movie trying to hide a bad script behind cool props. If fan fiction for Knight Rider exists then Michael must have one of these in his living room complete a robot that delivers wine coolers.
➵Earlier today Twitter unveiled a redesign that includes the first custom typeface called “Chirp.” The typeface is the work of Grilli Type and features “rounded tittles and punctuation introduce a humanist character.” The typeface seems like a good fit for Twitter relatively new brand look and feel—a full color riff on 80s zine and skate culture vibe. What caught my eye about this thread is not the work but the immediate negative response from everyday folks complaining about the legibility and accessibility of the typeface.
[I’m] a person with migraines, poor vision, and a neurological condition that affects my ability to read text. This font is really inaccessible.
I wasn’t seeing the problem until a few more long scrolls down I came across a tweet with imagery that shows what I presume everyone is complaining about, an illegible typeface that is super difficult to read and looks like “blobs." It clear that the typeface unveiled is not what these folks are seeing, but it’s a big problem none-the-less.
Within hours someone tweeted a response that contains instructions and javascript that disables the custom typeface.
➵I have to admit raising one eye-brow when I caught the title for this article in the New York Times.
Martin Kohn, a former chief medical scientist at IBM Research, recalled recommending using Watson for narrow “credibility demonstrations,” like more accurately predicting whether an individual will have an adverse reaction to a specific drug, rather than to recommend cancer treatments.
“I was told I didn’t understand,” Dr. Kohn said.
The company’s top management, current and former IBM insiders noted, was dominated until recently by executives with backgrounds in services and sales rather than technology product experts. Product people, they say, might have better understood that Watson had been custom-built for a quiz show, a powerful but limited technology.
During my time at IBM, I was in a position that allowed me to work on a number of projects that involved Watson. As a result, I spoke with several engineers who worked on the various individual technologies known collectively as “Watson.”
And they all hated—like, hashtag-hated-trademark hated—the folks in IBM marketing because the way they presented Watson was so, so, so far from reality. Their opinion on sales folks wasn’t much better. They promised clients the world, sold tens of millions of dollars worth of software and services that didn’t work as advertised.
Artificial intelligence is complex. I hear people today talk like you can just hook up AI to anything, and it will automatically receive, gather, process, and synthesize data—Easy peasy—Miller Time! But the reality is that we may be a few inches closer to living out The Jetsons than we were ten years ago.
I’d love for the New York Times to write a follow-up piece on the people who spent ungodly amounts of money at IBM on Watson solutions. Why on Earth did they buy into the advertising so hard?
I’m glad to see the company turn this around with the right people at the helm (read: not marketing and sales folks). IBM is made up mostly of a lot of really smart and wonderful people. This new approach is a better reflection of the talent and their work.
➵“I’m admitting young healthy people to the hospital with very serious COVID infections,” wrote Cobia, a hospitalist at Grandview Medical Center in Birmingham. “One of the last things they do before they’re intubated is beg me for the vaccine. I hold their hand and tell them that I’m sorry, but it’s too late.”
“A few days later when I call time of death,” continued Cobia on Facebook, “I hug their family members and I tell them the best way to honor their loved one is to go get vaccinated and encourage everyone they know to do the same.”
“They cry. And they tell me they didn’t know. They thought it was a hoax. They thought it was political. They thought because they had a certain blood type or a certain skin color they wouldn’t get as sick. They thought it was ‘just the flu’. But they were wrong. And they wish they could go back. But they can’t.
Saltine Christ on a Cracker!
I don’t care who you are, where you come from, what your background is, etc.; if you think COVID-19 is a hoax—that it’s political—then you forfeit your place on this planet. Hundreds of thousands of people who did not have the benefit of vaccination have died. Did you watch a years worth of people dying around the world and think, “Nah, that’s not COVID, everyone must have just had bad salmon pâté!”
To die of COVID now because you made a conscious decision to decline vaccination is an act with which there is no defense. And none of you will be missed.
➵Developed to track bad people, it’s instead being used to track journalists, human rights activist, and business executives. Not cool.
Military-grade spyware licensed by an Israeli firm to governments for tracking terrorists and criminals was used in attempted and successful hacks of 37 smartphones belonging to journalists, human rights activists, business executives and two women close to murdered Saudi journalist Jamal Khashoggi, according to an investigation by The Washington Post and 16 media partners.
The phones appeared on a list of more than 50,000 numbers that are concentrated in countries known to engage in surveillance of their citizens and also known to have been clients of the Israeli firm, NSO Group, a worldwide leader in the growing and largely unregulated private spyware industry.
While the world turns into an idiots version of Lord of the Flies and we are primarily distracted, our rights and freedoms are being subverted through the technology we increasingly rely upon daily. And yet, these stories that should be a major alarm on the scale of rampant nuclear armament will go ignored because it’s not tactile enough, yet, to be politicized and turned into sound bites for the journalism equivalent of wrestling entertainment that is cable news.
Also, I had a hunch all of those free bible apps that make up 80% of the Google Play store were a little suspicious.
➵More than 80M people in the US listen to a podcast weekly, and this critically acclaimed podcast app makes it easier for fans to discover podcasts and customize their listening experience.
We will explore building deep integrations with WordPress.com and Pocket Casts, making it easier to distribute and listen to podcasts.
Very curious. Perhaps it’s too early to come out with the full intent behind this acquisition, but the words “create” and “publish” are missing from the press release. I expected something more from a company that has built an empire on making tools for content creation. A year ago SiriusXM purchased Simplecast, a platform for publishing and distributing podcasts. An acquisition like that for Automattic would have made more sense to me. Perhaps they’re just looking to join the rest fo the world in trying to cash in on the multi-billion dollar podcast world.
Whatever comes of this, I’m happy to see Pocket Casts join Automattic. I’ve been a user for many years, and glad to see they are in good hands. Pocket Casts is by far the best cross-platform podcast experience on the market today. I use it on MacOS, iOS, WatchOS, and CarPlay and it’s flawless.
One more thing, I’d like to point out to my video-loving friends that listening continues to trump watching.
➵As someone who just recovered their Twitter account from hackers, this article comes at an opportune time. I think it’s rare to say that Twitter has brought out the best in anyone. I’ve had my public bouts with folks, and I’ve seen this platform severely amp up a person’s beliefs to a point where their posts read like they are the leader of an extremist group (both left and right).
So this article offers a dark-humor tale on Twitter addiction, and though most of us might not consider ourselves that far gone, the points made are relevant all the same.
We know on an intellectual level that social-media platforms are addictive. Sean Parker, the first president of Facebook, admitted as much in 2017 when he confessed that the site had been designed to exploit human “vulnerability” and to “consume as much of your time and conscious attention as possible.” We know this; we talk about it; we worry about children, or Cambridge Analytica, or Q, or any other damn thing except for ourselves. We don’t want to admit that each one of us has given a huge corporation untrammeled access to the delicate psychology that makes us who we are.
Just think, this article calls out Twitter, but we’re talking about all of social: Facebook, Twitter, Instagram (perhaps the worst of them), YouTube, TikTok, and whatever else is out there. Like every detail of a Las Vegas Casino designed intentionally to keep people seated and pouring money into machines.
Twitter is a parasite that burrows deep into your brain, training you to respond to the constant social feedback of likes and retweets. That takes only a week or two. Human psychology is pathetically simple to manipulate. Once you’re hooked, the parasite becomes your master, and it changes the way you think. Even now, I’m dopesick, dying to go back.
Twitter did something that I would not have thought possible: It stole reading from me. What is it stealing from you?
I would also add, what does it do for you? Engagement isn’t nearly what it was in the first five years, not even the first ten years. So why do we continue? What’s the point anymore.
➵Apparently a good chunk of America decided to cosplay High Fidelity John Cusack during the quarantine.
During the pandemic, vinyl exploded, growing 28.7 percent in 2020 according to the Record Industry Association of America. While vinyl has been on an upward trajectory since the mid-aughts, 2020 marked the first time vinyl beat out CDs in total revenues since the 1980s. Due to the pandemic, music fans have spent money on turntables instead of concert tickets, some factories couldn’t maintain their production capacity due to social distancing measures and labor shortages, and artists and labels who held off on releasing albums during the pandemic are all releasing LPs this year.
In Billboard, an anonymous music executive speculated that “pressing plants around the globe have the capacity to manufacture 160 million albums a year” but to meet what the market wants, they’d have to make somewhere between 320 to 400 million. “I don’t think we’re at the worst of it yet,” said Whelan. “I think alarm bells are going off but this holiday season is going to be bad and next year will probably be even worse. It’ll keep compounding.”
This news is ironic because yesterday, I sold my turntable and small, tiny record collection. While the electronics sold predictably for half its retail value, the fifty records I brought into the local shop traded for $350 in-store credit. I was astonished but grateful nonetheless. Looking around, the store was jammed with people looking through every nook and cranny of the store.
➵I was born in 1963. I grew up with stagflation, Devo and AIDS. Please order Heath to refer to my generation by its correct, dismal name: “Generation Jones."
I’ll let you read John Hodgman’s response, but gleefully spoil that it involves the use of a fax machine. I’m new to Hodgman’s advice column in NYTimes Magazine but happy to have come across it. And it turns out there is a podcast.
➵Una Kravets shares how component queries will change how we design and code websites. Not only in the composition and display of information, but providing user’s more control over options like motion, transparency, and system color. Very interesting.
➵This is the best restaurant in the Pacific Northwest. To read they are re-opening makes me happy. That they are doing so with a new phenomenal talent makes this event ten-times better.
[Chef Aisha] Ibrahim was the sous chef at California’s three-Michelin-star restaurant Manresa, and grew her career internationally, cooking for chef Eneko Atxa at Azurmendi in Spain and sister restaurant Aziamendi in Thailand, as well as in Malaysia, Taipei, and Japan. When Canlis co-owners Mark and Brian reached out in early 2021 about applying for the new job, she was still overseas looking into opening her own restaurant in Thailand.
Ibrahim had only passed through Seattle briefly once, awhile back, but the opportunity to make her mark on a storied Pacific Northwest dining destination was too good to pass up. “To be able to walk into a 70-year-old restaurant that you’ve never seen regular service in, there’s so many challenges about that,” she tells Eater Seattle. “But I look at this as a unique opportunity. We get to reset the whole restaurant.
Hang on to your butts, this is going to be amazing!
➵Mark Lantern, a former member of the U.S. Secret Service Electronic Crimes Taskforce, provides an overview of President Biden’s Executive Order on Improving the Nation’s Cybersecurity.
The Biden order stresses the need for standardizing at numerous levels, including contractual requirements for third-party vendors, policies and procedures for cloud technology, and guidelines for enhancing software assessment and supply chain security. Standardization is a cornerstone of any strong cybersecurity program. In previous articles, I’ve discussed the often disjointed nature of organizational knowledge and procedures, especially in regard to new circumstances that affect security posture, such as cloud migrations and third-party vendor relationships. Standardization allows for better communication, response, and reporting capabilities, especially when faced with a large-scale breach. The order also emphasizes addressing weaknesses in software supply chain security and standardizing software testing and assessment requirements, a proactive measure in mitigating cyber risk.
Open standards and communication alignment—the peanut butter and jelly of a win win sandwich.
➵Developer Franco Correa writes:
I’ve been trying out HEY (the e-mail service from the team at Basecamp) for almost a year now and I quite liked it. I loved the Screener feature, which lets me decide who I want to receive e-mails from and who I want to block from emailing me again, forever. I also found Imbox (used for real person-to-person talk), The Feed (used for newsletter and related stuff), and Paper Trail (used for receipts and confirmations) concepts pretty useful.
Even though the way HEY organizes my email is pretty comfortable for my needs, I’m not fully satisfied with the experience.
Franco goes on to provide a detailed instructions on how he replicated the features of Hey that he liked through “contact groups, message folders, and sorting rules.” If you’re looking for an alternative to Hey, this is it.
➵From this most recent issue of Dense Discovery—
The footprint of ‘digital’ – everything from cloud storage and cryptocurrencies to Netflix and emails – is currently estimated to be around 3.7% of global carbon emissions. That sounds small but is equivalent to that of the entire airline industry.
We generally assume that digital is the ‘green’ alternative to traditional ways of doing things, and it can be. However, when the marginal cost is zero, we tend to pay even less attention to the impact of our behaviour: Of the ~200 billion emails sent every day, around 84% can be categorised as spam. The impact of one email (or one Netflix episode) is negligible but in their hundreds of billions, emissions add up quickly.
And that’s just email. Now think about all of our devices connected 24/7 to the Internet. In 2005 my house had three: Two computers and Xbox. Today, in 2021, we have thirty-plus devices connected to our network. And that’s not counting the websites that are out there on “the cloud” doing nothing. This all makes me wonder what kind of impact could be made by turning off Internet related things that we’re not using.
➵Jeffrey reminds us that despite our differences, we all need humanity.
Even the most privileged among us are living with trauma.
Not one of us has escaped. Not one is unchanged.
Take a moment to be gentle with yourself, and with all whom you encounter. Even the monsters are crying inside.
Amen.
➵The first time I saw Sony MiniDisc in action was at Mammoth Records next to Kinkos near the university in Anchorage. The guy at the front counter took a small square disc out of a case and put it into a shiny new Sony stereo component I hadn’t seen before and hit play. The place started to shake when Smells like Teen Spirit began to play. It was my introduction to the Sony MiniDisc and grunge music. I got into grunge, but I never bought into MiniDisc.
As a consumer audio format, MiniDisc actually became a massive phenomenon, at least back in Sony’s homeland of Japan. The peculiar economics of the Japanese music market, especially back in the 1990s, made CDs about twice as expensive there as they were in the United States. Enter the music-rental shop, where customers could check out a dozen albums for the cost of buying a single one of them, then go home and copy them all to their MiniDiscs. Veritably printing money, Sony and other MiniDisc hardware manufacturers came to the defense of music-rental chains when the displeased Japanese record industry took them to court. By the time the issue was settled, MiniDisc had already entrenched itself in the Japanese market to the point that its devices surpassed CD players in sales.
Of course, in the States, this was not the case. Compact discs became the format of choice and dominated the market before the MiniDisc landed. In response to everything going digital many of my friends have flocked to vinyl in the last decade. I’ve tried that, but it just doesn’t do anything for me, probably because I didn’t grow up using vinyl. I grew up with cassettes. And if I had my pick, I’d go back to discs. I miss the cases, making mixes, and—more importantly—the mixtape artwork.
Maybe it’s the record heat we’re going through right now, but in the time I started writing this post and now I just purchased a case of 80 minute Sony MiniDiscs. What started off as a quick look into the past brought me to a few articles that inspired clicking a buy button. Now I just need a recording deck and a new set of markers to make case art.
➵I love this. Ronaldo, the top soccer player in the world, sits down at a press conference. In front of him are two bottles of Coke products and one bottle of water. Before he says a thing, Ronaldo moves the Coke bottles away from him and out of camera view. He then picks up the bottle of water and says, “Agua!”
Within 24 hours, Coca-Cola lost $4B in market capitalization.
➵The myriad of tiny design decisions that culminate to create a story of ‘brand’ in a product jokingly destroyed by a stupid typo. A really lazy ‘should’ve been picked up in QA’typo. So this week, I’m focussed on the little things. The things that often get forgotten about. The things that, when they’re all added together, tell the story of a product more effectively than any marketing campaign. It’s where we should be spending our time.
Amen.
Misspelling and unfinished sentences are why I harp on my co-workers to use applications like Grammarly to help find errors or get someone to help with editing. One missed detail is an indication that there are more.
Nice catch Mark.
➵A good list from Tidbits. Several seem to be trying to get macOS and iOS in shape to support people working from home. I got excited about all the upgrades to notes, including @mentions, until I realized it might not work as universally as it does in applications like Slack. Apple allows users to create a shared ecosystem as a “family,” and I can invite individuals to collaborate on a single document. Still, I’m not aware of a way to create a “company” that brings with it a directory of everyone in the company. In other words, macOS and iOS, despite having pro features, are not geared to set up a company network for collaboration. I would be delighted to be proven wrong. As Google becomes more corrupt, relying on them to supply collaborative tools continues to build up risk. And the tipping point is coming soon.
➵Art and design master Reagan Ray writes:
I’m intrigued by the idea of going low tech and watching a bunch of B movies on VHS that aren’t available anywhere else. And then there’s the box art, the glorious forgotten art of VHS box art. Since collecting old VHS tapes isn’t super practical, I like to admire the box art through books. Most of the books I’ve listed are full of old box art, but I’ve also included some narratives on the video store and a few guides to obscure movies that you can only find on VHS.
I thought about this a few days ago, about how it used to take for ever to browse through the video store and pick a movie. Damn that box art, because you had to look at everything to make sure something good didn’t get passed up.
Bonus: Check out Retro Wave Co., an Etsy store that sells VHS box art to download, print, and insert into a case.
➵Well, I know what I’ll be doing when the multi-headed variant of COVID comes raging back in November. I love the references in the trailer of different stunts players performed in Battlefield 4. Someone knows what they are doing.
➵If you ever wanted to see what real legacy looks like, read through all of the comments in response to Phil’s announcement on LinkedIn. Phil and his team built the IBM Design program to scale the practice of user-centered design throughout a technology giant with 400k employees working in 160+ countries around the world. It started with a hundred or so designers and is now around three thousand—and hundreds more have come and gone.
The torch will pass to Katrina Alcorn, Head of Design for Autodesk. Up until now I had not heard of her but I’m sure she was run through the gauntlet to get this role. I wish her nothing but good luck as she is about to inherit one hell of a team and a global design program without its equal.
➵The fight to retain work-from-home privileges has just begun. I am surprised by the group of Apple employees resisting coming back to work three days a week. Their culture has a symbiotic relationship to place for a long time. This was most certainly the case at 1 Infinite Loop and I have to imagine it’s even more so at Apple Park.
I can hear John now as if he’s reading his post:
Who are these people who took jobs at Apple not knowing the company’s on-site culture? Do they think Apple built a new $4 billion campus on a lark? Three days a week on-site and two days remote is a huge change for Apple.
Companies are not democracies, but the employees writing these letters sure seem to think Apple is one. It’s not, and if it were, the company would sink in a snap. Apple’s new “three days on-site” policy wasn’t a request for comments—it was a decision—and Tim Cook’s company-wide letter already leaves room for individual teams to adjust it to their own needs.
I get pushing back on returning to work at an old, stodgy Enterprise company where the workplace is not extraordinary. Apple Park is a huge exception. That place is like Willy Wonka’s Chocolate Factory—you can’t replace that with a home office.
As for companies not being democracies, I wonder how long before a few more groups in Silicon Valley or Seattle, or Austin will try to stand up a union in response to returning to the workplace.
➵Mmm is a fully responsive, “dead simple, drag and drop” website creation tool. No, not like Squarespace or Wix, or WordPress. This is amazing, wonderful, and super fun, like making Portland for the Internet. Sure, mmm is super niche, but it’s fantastic to see the development of a tool that gets people thinking about this medium differently again.
➵I would rather wait for a half hour or so for a table to come available at a favorite restaurant, people watch, talk to the random folks who are also waiting, etc. than make a reservation, go to the table, and have everything be a little too perfect with no opportunity for life or spontaneity to happen.
I’m not a fan of reservations either and glad to see I’m not alone. Also, I’m now in awe that Jen was able to walk-in to French Laundry. ADHD Achievement unlocked.
➵Is Google too big and powerful, and do you need to ditch Chrome for good? Privacy experts say yes. Chrome is tightly integrated with Google’s data gathering infrastructure, including services such as Google search and Gmail – and its market dominance gives it the power to help set new standards across the web. Chrome is one of Google’s most powerful data-gathering tools.
Chrome’s hefty data collection practices are another reason to ditch the browser. According to Apple’s iOS privacy labels, Google’s Chrome app can collect data including your location, search and browsing history, user identifiers and product interaction data for “personalisation” purposes. Google says this gives you the ability to enable features such as the option to save your bookmarks and passwords to your Google Account. But unlike rivals Safari, Microsoft’s Edge and Firefox, Chrome links this data to devices and individuals.
Although Chrome legitimately needs to handle browsing data, it can siphon off a large amount of information about your activities and transmit it to Google, says Rowenna Fielding, founder and director of privacy consultancy Miss IG Geek. “If you’re using Chrome to browse the internet, even in private mode, Google is watching everything you do online, all the time. This allows Google to build up a detailed and sophisticated picture about your personality, interests, vulnerabilities and triggers.”
Despite having better AI, we removed all Google smart speakers from our home for similar reasons to Wired’s case for getting rid of Chrome. Every year Google becomes more intrusive to privacy and more evil. Yesterday it was smart speakers; today, it’s Chrome. If I care about privacy, then I have to question the use of everything Google: Search, Gmail, Docs, Sheets—all of it.
At the risk of sounding like an alarmist, at what point does using Google (and other companies with the same anti-privacy practices like Facebook) become bad for your well-being? At what point does Google become too great of a risk for business at large?
➵Google is testing a new feature for its Chrome browser on Android that lets users “follow” sites to create an updating list of new content they publish. The feature is based on [Real Simple Syndication (RSS)], an open web standard that’s been the backbone of many popular web aggregation tools in the past. That includes Google’s own, much beloved (and now defunct) Google Reader.
Although this is just an early test, it’s nonetheless exciting for a certain sort of web user who misses the glory-days of RSS (and, by extension, a mode of internet discovery and distribution that faded years ago). At its core, RSS allows users to maintain a personalized feed of new content from favorite sites, blogs, and podcasts. And although tools that utilized these feeds were briefly very popular, they were eclipsed for numerous reasons.
Let’s get this straight. RSS died because Google killed it when they pulled their Reader app from the market. There aren’t “numerous reasons,” just one—Google murdered RSS.
While I welcome any new innovation involving RSS, Google has demonstrated time and time again a brazen willingness to kill good software that promotes better use of the Internet, free speech, and democracy.
The big takeaway here is the idea of “following” a website instead of “subscribing” through a method that is still confusing to the average Internet user. When people don’t have an application dedicated to reading RSS, clicking on a link to subscribe displays raw code. Not exactly the best user experience.
I hope Google’s experiment proves worthy of expansion into all of their browsers because I think they are onto something. The best innovation is the kind that simplifies life vs. adding features.
➵Interesting synthesis from Bill Gardner (author of the LogoLounge book series) after reviewing 35,000 logos submitted since last year’s report. I can’t recall another year where brand work was a clear reflection of global events vs. trends.
Consumers are looking for guidance in alien territory and we are the scouts and the guides. Brands have to be where the customers are and this year they weren’t in brick and mortar locales, they were online. All the more reasons brands need to be designed to live in the RGB world.
Conversely, we felt a deep need to disconnect from technology this year, and connect with nature. Ecology and the environment were huge themes this year, with a slight twist in every genre toward sustainability.
Unsurprisingly, many of the trends are geared to showing a shift in our culture or in a brand.
Responsive identity design shifted from variable fonts to variable typefaces that shifted from display serif to stark sans serif just to prove it could be done and demonstrate extraordinary metamorphoses.
Old school etched logos came back with a vengeance but were retooled to reproduce digitally.
The big theme I see in this year’s report is “change.” The need for humans to change their situation, outside the home and away from technology. The need for companies to finally embrace digital transformation, including how they show up in the marketplace. Take ABC, for example, who are altering their iconic logo to be “optimal for all digital, social, and emerging applications.”
➵Tokens will be used for blockchain based games, Atari NFTs, and betting on e-sports. The gambling action is kinda interesting. I wonder how that will tie in to the new Atari hotel coming to Las Vegas.
➵The celebrated author discusses his five year run writing Black Panther and Captain America for Marvel Comics. His next comic project: working on a Superman reboot with J.J. Abrams.
➵Julia Evans writes, “When I learn something that helps me, I write about it so that it can help other people too.”
In addition to this great advice, writing also helps you process what you have learned. A secondary benefit is that it can help others who are learning the same thing. Writing about what you are learning is also a great way to start to gain followers. Finally, in sharing your thoughts through writing, you’re expressing vulnerability which is still very difficult for many people.
Julia’s advice is especially poignant to everyone in the midst of a career change. Be hungry, stay curious, and write about everything you discover.
➵One in 10 US police departments can now access videos from millions of privately owned home security cameras without a warrant. In a 2020 letter to [Amazon] management, Max Eliaser, an Amazon software engineer, said Ring is “simply not compatible with a free society”.
I bet half the idiots who decry wearing a face mask as an affront to their constitutionally protected freedoms have an Amazon Ring installed. If this doesn’t scare you a little bit, it should.
➵Available data from around the globe supports this argument: Regimes tend to be democratic in proportion to its people’s support for emancipative values. Similar data from the 1970s and 1980s also exhibits this pattern. Interestingly, there was a group of “incongruent” countries at the time—including Argentina, Chile, Czechoslovakia, East Germany, the Philippines, South Africa, and Uruguay—whose regimes were much more autocratic than the (relatively emancipative) values held by their respective populaces. By no coincidence, all these countries have since transitioned to democracy.
Democracy is starting to sound like an investment portfolio. Don’t look at what the market is doing week-to-week or even year-to-year, but over a longer period. Its as I tell designers stuck in the weeds of a problem, “pull up.”
➵A moving segment from NPR on the anniversary of an important piece of American history.
Marvin Gaye released his landmark album What’s Going On 50 years ago today. We hear from artists and activists who were deeply inspired by the album’s music and its messages.
It’s a shame that the array of questions Marvin asked fifty years ago are lingering issues today.
➵We hear it over and over again, from MLS team after MLS team: “We want to be a global brand.” When unveiling the incongruous and derivative St. Louis City name last summer, owner Carolyn Kindle Betz said she wanted MLS to put her market “on the international map,” and that she was intrigued by the branding “once I started to get educated on why ‘City’ is an international name.” Columbus SC president and GM Tim Bezbatchenko, who was quoted in Monday’s official announcement, used the phrase “global stage of soccer” to describe his club’s ambitions.
The perspective and language of this issue are reminiscent of American cities vying to come with their own version of Silicon Valley around the mid-2000s. In the end, most of those efforts ended up looking and feeling like what they were—inferior copies to make up for lack of local ingenuity.
There are no shortcuts in life, only expensive lessons to be learned.
➵Luxury Luke shares a behind the scenes look at his recent work creating beautiful art using skate board decks as the canvas. Also interesting to see his work using other materials. If you haven’t seen them yet, check out all of Luke’s recent work at Cream Co.
➵From this foundational reset, I’m hoping this is the start of a continual work in progress. A return to blogging my thoughts. Just writing things down. A place I can experiment, document, design, and look back on. Already it’s a place I’m visually happier with. It feels right. It feels me.
Bold colors, great typography and a strong composition is all you need.
➵Anders Norén, a top theme designer (one of my top three) on the user interface (UI) of the popular CMS:
We’ve gotten used to that mess, and since we’ve navigated it daily for years until it’s become second nature to us – but it is still a mess. In comparison, services like Squarespace have gradually improved until they now offer site owners more control over the structure and design of their site than the out-of-box WordPress experience while still being more user friendly.
He’s not wrong. The WordPress interface looks more like legacy Enterprise software than a modern-day application. Given that Automattic employs amazing designers like Jeffrey Zeldman and Bethany Heck, I know they have the talent to make a significant improvement.
➵The review comes off biased towards bikes that are chain driven, but it’s a solid selection none-the-less.
➵Verizon doesn’t seem to know what to do with content companies. They should probably stop buying them.
➵A photo essay on rock-climbers who end up becoming wind turbine technicians.
➵Site founder, owner, and operator, Rob Ford, is ready to “spend more time outside and with his family.” Well earned in my book. FWA has handed out 8,000 awards to websites and interactive experiences since 2000. I don’t know anyone in the industry who doesn’t have a soft spot for the site. The web is better because of FWA. And it most certainly helped to spawn and influence an entirely new form of design (web, interactive, digital, UX, and UI).
Rob posts that “the FWA system itself, which is 99% automated and backed by a jury of over 500 judges.” That may be true, but there is no doubt it took a mountain of work to get it there. He’s undoubtedly had a front-row seat to the evolution of the web, which is well documented in his gorgeous book, released right before the world turned into a pandemic.
Mr. Rob Ford, designers around the world, owe you a tall, cold one. I hope you find a worthy buyer soon.
➵Learn new perspective in graphic design from David-effing-Carson for fifteen dollars? Uh, yes please. Totally looking forward to this class.
Also, I love that he’s able to skateboard around his studio—new life goals registered.
➵Well that didn’t last long. I can’t think of a time here in the US when sport team owners reversed a decision because the fans didn’t like it. Just goes to show I have more to learn about English futbol.
➵Governments look to be hampered by their ability to step in. Fans might have an appeal but the game—these teams—are too far gone, down the money trail.
➵And sharing photos. Don’t miss his story on recently turning 43 while camping in Death Valley.
➵If it hadn’t been for the writings of the leaders of the American Revolution, the United States wouldn’t have existed. The best thing that happened to this country is that its founders wrote generously.
Not only did they write generously, but some were journalists and newspaper publishers. The bi-product: A new country and a “healthy” news industry to promote it. Wicked-smart.
➵File this under: Well it’s about damn time.
The upcoming redesign for the next version Airbag features a blog roll. And I’ve added a blog roll to the next new product offering for LexBlog. Why? Because blogs and blogging was better when authors helped promote the discovery of other publications. While other content platforms seek to turn everything into a Squarespace competitor (drag and drop, WYSIWYG site building), Medium will find greater success in focusing on creating the best blogging experience possible.
Authenticity is not only vital to the individual publication but the entire collection. Helping to promote your fellow bloggers adds to our own genuine expression. Tools that focus on providing authentic core experiences will have more impact in a world increasingly controlled by AI-driven, segmented, omnichannel bullshit.
➵Do you have a penis and identify as he/him? Then I suggest purchasing, reading, and reflecting on this book. It was recommended in a group call by a bad-ass female leader in response to a question on how men can be better—and appropriate—supporters of women at work.
The authors, W. Brad Johnson and David G. Smith, work at the United States Naval Academy and the United States Naval War College, respectively. They have also written on the topic of inclusive mentorship. Here they are presenting their argument that supporting women in the workplace results in a stronger business with larger profits and properly supporting women at work.
➵Not content with inoculating its people faster than any other country in continental Europe, it has taken on the role of the vaccine fairy for neighbouring states in the Western Balkans. Late last week, word started to spread that, for a limited time, Serbia was inoculating all comers. The car park at the main vaccination centre in Belgrade quickly filled with vehicles sporting number plates from across the former Yugoslavia and beyond. Bosnian and Montenegrin accents, as well as a smattering of Macedonian and Albanian, could be heard in the orderly, fast-moving queues at the cavernous halls of the city’s World Trade Center.
The unlikely catalyst for this vaccine bonanza was the Serbian Chamber of Commerce. It asked the government to make inoculations available for businesspeople from across the region, following similar efforts for other professional groups, including Bosnian medics and journalists from North Macedonia. “We looked at this from a practical perspective,” says the chamber’s co-ordinator, Marko Mandić. “This is good for the economy and it’s good for the economies of our neighbours.”
Nice work and well played. I’d love to see more of this enlightened and forward thinking perspective.
➵From the amazing minds at Farnam Street comes a guide for becoming the best of anything.
Using deliberate practice, we can overcome many limitations that we might view as fixed. We can go further than we might even think possible when we begin. Deliberate practice creates new physical and mental capabilities—it doesn’t just leverage existing ones.
The more we engage in deliberate practice, the greater our capabilities become. Our minds and bodies are far more malleable than we usually realize. There’s much more to deliberate practice than 10,000 hours.__
It can even accelerate your progress in widely applicable skills such as writing, decision-making, leadership, studying, and spoken communication. The key in any area is to identify objective standards for performance, study top performers, and then design practice activities reflecting what they do.
If this sounds a bit familiar, look to Austin Kleon who outlined a somewhat similar framework for becoming a better creative in his book Steal Like an Artist. I haven’t had time to read through the entire guide but knowing who wrote it, you can bank on the advice and instructions contained within.
Stay curious my friends.
➵Religion, no matter what the source, will inevitably tear everything apart once an ounce of fanaticism forms. And that’s what QAnon is, a fervent-fanatical belief in false stories that people want to believe are true and live by that information as if it is. What I don’t get is how profoundly stupid these stories are, and yet a good portion of this company can’t subscribe fast enough.
It would appear that common sense is dead.
➵Though I have little interest in NFTs, I thought this question and answer were intriguing. YouWorkforThem says the short answer is “yes.”
However, you need to be sure to purchase the correct license extensions for the type of use you want to mint. For instance, you would need to purchase the “Items for Resale” extension for any Stock Art items you use. If the NFT is a video that is streamed on the internet, any font license would need to be extended for that use, etc. And as always, you would need to alter or incorporate Fonts or Stock Art into some new form before simply selling them as is.
Interesting. NFTs are more than digital art, as I’ve seen host most people explain them, they are a form of software. Now I wonder what an audit would produce in terms of NFT copyright violators. I haven’t looked at what’s out there for sales, but I imagine a digital version of Canal Street with tables full of little, animated pictures.
➵Publishing no less than three articles on their sour position against April Fools jokes by brands, and going as far as calling such pranks a “lie to your customers.” Yep, that’s a bit much. Take off your cardigans, put down the apple sauce, look away from Jepordary re-runs, go play with the kids on your lawn, and lighten-up.
➵Ten solid ideas for a better social contract for a better life and society. I like this short film, but I want a School House Rock version.
➵From the thoughtful New York Times obituary:
An author, educator, amusing public speaker and leader of wine tastings. But most of all he was known for having conceived and arranged the Judgment of Paris, the famous 1976 wine tasting at which little-known American wines triumphed over their august French counterparts and won a toehold in the perception of wine lovers worldwide who had up to then dismissed them.
Steven was also the proprietor of L’Académie du Vin, a small shop in Paris that brought in wines from different parts of the world. Mr. Spurrier’s work and the Judgement of Paris was turned into one of my favorite films, Bottle Shock. It’s a dopey, entertaining movie that includes some of my favorite actors Alan Rickman, Dennis Farina, and Bill Pullman.
Steven Spurrier helped to propel California wines to a global stage in a very unusual way. From another remembrance from the NYT:
It was hardly thought to be a fair fight. As has been recounted countless times, the judges were thoroughly convinced that California wines were inferior.
“Ah, back to France,” one judge sighed after tasting a Napa Valley chardonnay. Another, sniffing a Bâtard-Montrachet, declared: “This is definitely California. It has no nose.”
When all was done, a shocking consensus revealed the favorite wines to be a 1973 chardonnay from Chateau Montelena and a 1973 cabernet sauvignon from Stag’s Leap Cellars, both in Napa Valley.
Thank you Mr. Spurrier for all of your contributions that helped make a better world. Cheers!
➵Even in the daylight, it’s pretty impressive, but be sure to check it out when the sun goes down. This shot provides a better look at the action in and around the caldera. For scale, look at the puny humans in the lower right corner.
➵The plastic tips can be replaced of course (pack of 4 tips at a cost of 15% of a new Pencil!), but there was still a broken portion inside the Pencil that would prevent a new one from fitting. As the tips just screw in, I was able to get some purchase on the fragment (below) with a sharp pin and slowly unscrew it (remember: righty tighty, lefty loosey). It took a minute or two, but then it was out and I was able to fit a new tip. Everything works again!
Well done sir.
➵After adjusting for demographic differences across countries, they estimated a 7% fall in satisfaction with democracy for a typical loser and a 6% rise for a typical winner (using an employed person of middle age and average education as their baseline)…models reckon that this effect is similar across the continent, regardless of a country’s electoral system. Strikingly, they also found signs of a winner-loser gap in the levels of trust citizens say they have in other respects—in parliament and politicians; the courts and police; and even in other people in general.
Just in case you were thinking our political problems around the planet were simple. I’d love to see a correlation of this data against trust in corporations.
➵Medium asked for advice, and writers answered the call. I laughed when I came across this tip because I don’t know that I’ve come across anyone else who does this:
If I’m stuck on a section, I simply insert a row of X’s: XXXXXX as a marker to come back to later.
This method helps a lot by the way—to get as many of your thoughts into words as possible. I use the second pass to fill in the gaps and X’s. It’s not until the third-or-fourth pass that I check for spelling and grammar. If the story doesn’t make sense, then correct spelling and grammar do not matter—it’s still a fail.
Everyone should consider bookmarking this article and saving it to Pocket for later reference. There is a lot of great advice here for all kinds of situations.
➵Charis SIL is a Unicode-based font family that supports the wide range of languages that use the Latin and Cyrillic scripts. It is specially designed to make long texts pleasant and easy to read, even in less than ideal reproduction and display environments.
The type family was developed by SIL International, a faith based organization that supports “ethnolinguistic minority communities as they build their capacity for the sustainable development of their own languages.” The organization was founded on the principal that communities should be able to pursue their social, cultural, political, economic and spiritual goals without sacrificing their language.
Not only does it look great, Charis SIL is “free to use, modify, and redistribute according to the terms of the SIL Open Font License.
➵For its latest appraisal, the think-tank convened around 165 experts to pore over a questionnaire about political rights and civil liberties in 195 countries and 15 territories. Each country was given a score from 0 to 100 and classified as “free”, “partly free” or “not free”. The results show that the world has suffered its 15th consecutive year of democratic decline. In February an annual survey by the Economist Intelligence Unit, a sister company of The Economist, reached a similar conclusion.
Even some of the world’s most durable democracies are struggling. America is classified by Freedom House as “free” but is no longer near the top of the class. Since 2016 the country has dropped 6 points. The report argues that the fact that Donald Trump’s calls to overturn November’s presidential election in America went “unchecked by most lawmakers from his own party” undermined basic democratic principles. India, the world’s most populous democracy, was downgraded from “free” to “partly free”. Under Narendra Modi, the prime minister, the country has elevated “narrow Hindu-nationalist interests” at the expense of “equal rights for all”, the report says.
Fifteen years—that’s hard to believe, but I’m not going to spend a minute arguing the data. That timing puts the US near the height of fighting the civil war in Iraq. Surely, that’s not a coincidence and we, the birth nation of democracy, have had a role in its decline. Anyone still celebrating Biden’s victory is fooling themselves into thinking the worst is behind us as more trouble lies ahead.
➵A bill that could allow news publishers to collectively negotiate with Google and Facebook was re-introduced in the U.S. Senate and House of Representatives on March 10. Some news publishers have been clamoring for return of the legislation, which is more timely than ever since the platforms both recently clashed with lawmakers in Australia over media deal bargaining and both face antitrust scrutiny from as far and wide as Washington, D.C., Texas and the U.K.
If passed, the Journalism Competition and Preservation Act would allow news publishers to work together to establish distribution and payment deals with digital platforms that have at least one billion global monthly users.
What a delightful surprise to find this story in my feed reader this morning. A bi-partisan bill to support journalism’s relationship with “digital platforms that have at least one billion global monthly users.” Not just the big players, but all publishers. This also includes “television and radio news outlets.”
I hope some folks in the LexBlog universe will write about this soon.
➵Jesse shares his story and insights of hosting a daily video “room” during COVID-19. This is my favorite insight because I’ve experienced the same outcome from a handful of virtual groups that I have both lead and been a participant in the last year.
I firmly believe that much of the meaningfulness of this community can be chalked up to human beings caring about other human beings. People just wanted to have someone to talk to about their fears and concerns, someone to celebrate their victories with and share their pain, someone to ask about them when they’re not there. I’m very thankful for a group of people I was able to do that with.
What a great milestone to share with a community that didn’t really exist a year ago. Leaders have much to learn from this, especially as they consider a post-COVID work place.
➵Tired of reading about NFT already? Here’s a swell alternative—a quarterly zine in which Rob Weychert explores algorithmic art with a focus on combinatorics (as explained by Pixar animators). This is such a cool project. I especially love the first issue based on a gift Rob made for friends may years ago. If you don’t follow Mr. Weychert you need to. He’s one fo the most creative designer/developers on the planet.
➵I’m glad we still have Jason Fried around to provide a healthy alternate perspective to the mindset of the rest of the tech industry.
Businesses love to compete. To beat, to win, to go 1-0. We don’t. I have no interest in competing with anyone. And we don’t frame internal decisions in a competitive way. Business has never been about competition for me.
All we have to do is get enough customers to make our business work. That’s it. That’s how we stay alive. Not by taking marketshare away from anyone, not by siphoning off users, not by spending gobs of cash to convince people to switch. We simply have our own economics to worry about, and if we get that right, we’re golden.
When you think of yourself as an alternative, rather than a competitor, you sidestep the grief, the comparison, the need to constantly measure up. Your costs are yours. Your business operates within its own set of requirements. Your reality is yours alone.
If I channel my former business partner, he would add that breweries have made a successful cottage industry not from competing but by collaborating. Competition is for competitions.
➵Nope.
The best news of the past few months is that the three approved Covid-19 vaccines—the two-shot, mRNA-based ones from Pfizer and Moderna and the single-shot, adenovirus-vectored one from Johnson & Johnson—have one thing in common. They’re awesome. In trials, each prevented death and severe disease. But even though those are the endpoints that the vaccine makers tested, they aren’t the only important things to consider.
“We actually don’t know whether in real life, at the population level, that efficacy translates into vaccine effectiveness,” says Ana Bento, a disease ecologist at the Indiana University School of Public Health. “While it might protect you against disease, it might not protect you against infection. It’s too soon to actually know that.”
You can’t turn a marathon into a 100m dash in the middle of the race.
➵Typically any discussion around art and Hunter points to the splattered aesthetic of Ralph Steadman that visualized gonzo journalism. From this The New York Times article emerges a different artist with a completely different vibe. Thomas W. Benton designed many posters for Thompson’s 1970 run to become a sheriff of Aspen, Colorado. Benton’s work is more graphic design than illustration, but that does not deter it’s importance and artistic quality. The collection of work that has survived, when viewed all together, looks more like pages from a magazine featuring editorial, campaign posters, and advertisements. One of my favorite pieces is a “page” that looks like the advertising section found in the back of an old magazine, complete with a satirical ad for The Chart House—“in our new location.” All of this work and more will be on exhibit at the Poster House in New York City. The show is called “Freak Power” borrowed from the title of a book—and now documentary—on Hunter’s campaign and the national attention and conversation it attracted at the time. Sadly, very similar to conversations we are still having to this day.
➵File this under, “Ugh.” Dustin’s use of the Apple consumer ecosystem came to a grinding halt. The culprit?
My bank account number changed in January, causing Apple Card autopay to fail. Then the Apple Store made a charge on the card. Less than fifteen days after that, my App Store, iCloud, Apple Music, and Apple ID accounts had all been disabled by Apple Card.
He also forgot to mail in a MacBook trade-in for a new laptop purchase he made, which compounded the problem.
This all seemed to have caused what I would consider the perfect storm for a multi-tiered Apple user (credit, services, products). I’m posting this here to help spread the word but to also serve as a reminder in case something like this happens to me.
➵A “real-time inspection tool” that scans websites for tracking technology.
Who is peeking over your shoulder while you work, watch videos, learn, explore, and shop on the internet? Enter the address of any website, and Blacklight will scan it and reveal the specific user-tracking technologies on the site—and who’s getting your data. You may be surprised at what you learn.
I encourage you to check a few websites that you frequent and be prepared for a surprise or two. For instance, Medium has one ad tracker and one third-party cookie, whereas the New York Times has twenty-one ad trackers and twenty-six third-party cookies in use, and they allow Facebook and Google to track your web use outside their domain. Way not cool.
➵It’s been a year since we have sat in the studio — less than a year since our team met to move our stuff out. But, what I said in the Twitter reply still stuck in the back of my head, “Our community is still strong.” And then it hit me. Like, hit me with a box of tissues, I’m crying, hit me. The IBM Studios Slack channel received a message from our sister studio in Böblingen, Germany. The studio leader had organized a Box folder of unscripted, personal, and heartfelt video messages from our studio mates. Many of them were people I trained, currently mentor, or leadership peers. The studio brought us together, yes. But, I realized through all of the virtual meetings, conversations, and late-night brainstorming that we formed a community.
Earlier this week, I caught the news that Building 903 on the IBM Austin campus suffered massive damage caused by flooding on the roof. All floors were destroyed, including 7 and 8, home of IBM Design. It feels like such a great loss as a tremendous amount of magic happened there, including the professional development of thousands of new designers from all over the world.
Oen Michael Hammonds, one of the greats to come out of the IBM Design program, wrote this thoughtful post reminding me, reminding us all, that though a place may break, the community is steadfast and strong. I am so thankful to have been a part of that community. I hope they’ll gather again soon and bring back the fantastic energy that the program brought to the building.
XOXOXO to my friends from IBM Design—I miss y’all.
➵David Perell, shares his method of writing apparently based on this snippet from an interview with Seinfeld (I write that because the post does not include a citation or link to the statement quoted—still it’s good advice).
Writing and editing should be separate activities.
When I’m in this creation mode, I shoot for a flow state. I keep my fingertips on the keyboard and measure progress by how many words I put on the page. I have one rule: write down every epiphany immediately. The more, the merrier.
If this creation mode is defined by quantity, the subsequent editing mode is defined by quality.
When the editing phase begins, my body chemistry changes. I change my physical environment so I can adopt a calmer and more deliberate mindset.
This is the way.
I’ve known a few folks who edit while they write, and it takes them forever just to knock out a sentence. The kind of flow kills creativity, and it’s highly likely that’s what gets in the way of so many people writing more frequently.
My initial drafts are a disaster—as are the second and third—but I’m driving to get as much out of my head as possible. Even after editing as much as I can find on my own, I still rely on Grammarly to help. I use the app to clean up my assault on the English language. And it helps me recognize bad patterns in my writing. Over the last two years, I can genuinely say that the application finds fewer mistakes to correct these days.
Thank you Mr. Stokes for the inspiration.
➵The phrase is so ubiquitous in design meetings that it’s become an industry meme. But consider a more empathetic lens: with these words, a client is trying to connect with you. Similarly to when my immigrant family says “Close the lights” (i.e. “turn them off”), clients may not necessarily have the right vocabulary to articulate their design needs. As a result, we receive generic talking points disguised as design requests. Then add the complication of client teams misaligned on their own brand and you’ve got a recipe for excessive revisions, budget churn, and frustration on both sides.
Communication is the leading problem between client and provider, executive to manager, etc. Design is well placed to help address this problem by facilitating activities to build a shared vocabulary that will empower non-designers to provide the type of feedback we seek. Leah does a great job in this article highlighting some exercises that will help get the job done.
➵12 milestones in the history of the Bavarian automotive manufacturer: from long distance racers to touring cars, and F1 bullets to Formula E EVs.
I’m still catching up in my European motor racing history, but the livery on the BMW M3 (1987) is unforgettable. I wish BMW was still in Formula 1 because it would be interesting to see the brand expressions on a global stage.
Bonus content: The most spectacular street circuits in motorsports.
➵From their new guide, The Future of the Digital Workplace comes this tidbit of wisdom on “fixing work”:
Email promised to improve on the failings of phones, fax machines, and snail mail when it rose to prominence in the 1990s. Slack, the workplace chat company, vowed in 2013 that its software would sweep away the irredeemable failings of email and usher in a happier, more productive age of work. And now the cycle has begun again; today, a new vanguard of startups is making a raft of promises to fix the dysfunction of Slack.
Perhaps the reason we haven’t found the perfect communication tool yet is that the problem isn’t about technology. Melissa Mazmanian, an associate professor at the University of California, Irvine with joint appointments in computer science and organization and management, offered an alternate theory. After years spent studying how workers use email, smartphones, and other forms of communication to signal our value at work, Mazmanian concluded the real root of our communication problems lies not in the tools themselves, but in workplace culture.
And the article continues as an interview where the author keeps asking how to implement new tools anyway. Brilliant.
Listen, without cultural support and active practice by the C-Suite, no amount of technology or tools will change a thing. Nary a dent. This notion also applies to digital transformation, design-driven innovation, and remote collaboration.
You’ll know when the culture is ready for something new when you have fixed all of your communication issues. That’s the real heart of any problem that technology alone can not solve.
➵Suddenly I could use any typeface I wanted, and I went nuts. On one of my first projects, I used 37 different fonts on 16 pages. My wife, who had attended Catholic school herself, found this all too familiar. She remembered classmates who had switched to public school after eight years under the nuns: freed at last from demure plaid uniforms, they wore the shortest skirts they could find. “Jesus,” she said, looking at one of my multiple font demolition derbies. “You’ve become a real slut, haven’t you?”
If you need more than two typefaces for any job then you’re not choosing the right type families.
➵I have been posting to blogs for twenty years. In all that time, posts like this—“lessons learned”—are usually the same. I thought Derek’s points are different and worth consideration.
➵A campaign from three of Canada’s leading newspapers to raise awareness and protest “against Google and Facebook, which, the papers say, siphon off advertising revenues while making their own profits from sharing news stories.”
The campaign highlights a media-funding problem with no easy solutions. The Trudeau government says that it will propose reforms to how internet platforms pay for the journalism they aggregate – but it’s a tough measure to implement. Just ask Australia, where Facebook has threatened to disable its newsfeeds and Google said that it would remove its search engine entirely if Canberra goes ahead with plans to bring in new protocols.
If I were Australia, I’d tell Facebook and Google to go to hell, oh, and goodbye! When will people wake up to know that print journalism is the world’s primary source of news, not television?
Healthy democracies require a free press, but there has to be a press to exercise those freedoms. Do you want to do something good today? Subscribe to a newspaper or three.
➵This series covers the history of computers from the late 1970s to the early 1990s. But more than just technical innovation, it manages to center the people in it, including power dynamics. There’s a lot that we can cover about gender, class, and race and how they interact with each other. Those ideas are important. Characters are important to talk about when they are generalizing these larger ideas. That being said, this syllabus does not intend to take a film theory approach to analyzing the intentions behind characters at a personal level, but takes the approach of how these behaviors are symptomatic of larger structural, societal issues.
I heart everything about this project by Ashley Blewer, especially the ‘zine vibe for each issue. This would only be made better if it was hosted on an ASCII BBS accessible only via Telnet.
➵A great non-alcoholic drink has all the elements of a great alcoholic one. Taste is deeply personal, but there are key components that make a drink feel balanced, namely a harmonious blend of acidity, sweetness, bitterness, salinity, and water. These layers of flavor play off of one another, blossoming as you sip or eat or lounge. The drink excites your palate and challenges you to figure out what exactly makes it so dang delicious, and why you can’t stop drinking it. The trick is creating that nuance without using alcohol as a base. Alcohol has a signature burn, difficult to replicate, that helps slow the drinker down. Bitter, sour, or spicy flavors can achieve a similar effect. All of the experts we spoke with highlighted bitterness as a key element.
The idea of non-alcoholic alternatives for cocktails is intriguing. And this guide by the folks at Wirecutter is fairly in-depth and much longer than most that I come across.
➵Scott Fennell, my co-woker at LexBlog posted on Google’s Core Web Vitals (CWV) a “new set of website performance measurements authored by Google [that measures] the way a website actually behaves for a human user, rather than assess things that might look statistically significant to a machine.” Core Web Vitals will have an impact on search results beginning sometime in May 2021.
➵According to 5Ws 2020 Consumer Culture Report, 83 percent of millennials say that it’s important for the companies they buy from to align with their beliefs and values, and 76 percent of 18-34 year-olds like when the CEOs of companies they buy from speak out on issues they care for.
This doesn’t just apply to large corporations. If you are in the business of selling something, your leadership now extends beyond the LLC.
➵So great to see another friend blow the dust off their site to share their thoughts, what they’re learning, and following. I hope more of the old community will consider doing the same.
➵This morning I caught the NPR story of Amanda Gorman, 22, who will “become the youngest poet in recent memory to deliver a poem at a presidential inauguration.” Even more remarkable (to me), Gorman has had challenges since childhood with a speech impediment that affects her ability to say certain letters. So much so that she would find different words to use—words she could pronounce without difficulty—in her poems. Since then, she has performed her poetry at esteemed places like the Library of Congress and curious venues like the Empire State Building’s observation deck.
Tomorrow, Amanda will perform her poem, “The Hill We Climb,” written specifically for the inauguration. In her earlier years, she has held the title of Youth Poet Laureate of Los Angeles and became the first National Youth Poet Laureate. We’ll be in good hands and in the presence of remarkable talent.
If you want a preview of what we’re in for, take five minutes and read In This Place (An American Lyric), written and performed by Amanda at the Library of Congress.
➵A new podcast (to me) that I read about in the most recent issues of Dense Discovery.
How To Citizen with Baratunde reimagines the word “citizen” as a verb and reminds us how to wield our collective power. So many of us want to do more in response to the problems we hear about constantly, but where and how to participate can leave us feeling overwhelmed and helpless. Voting, while critically important, simply isn’t enough. It takes more to make this experiment in self-governance work. Listen in to learn new perspectives and practices from people working to improve society for the many.
I’m intrigued by the premise as I’ve been thinking about how to make the most out of the next twenty years. How to contribute in a way to really fix problems rather than apply more patches.
➵I’ve been thinking for years about what it would take to make the social web magical in all the right ways—less extreme, less toxic, more true—and I realized only recently that I’ve been thinking far too narrowly about the problem. I’ve long wanted Mark Zuckerberg to admit that Facebook is a media company, to take responsibility for the informational environment he created in the same way that the editor of a magazine would. (I pressed him on this once and he laughed.) In recent years, as Facebook’s mistakes have compounded and its reputation has tanked, it has become clear that negligence is only part of the problem. No one, not even Mark Zuckerberg, can control the product he made. I’ve come to realize that Facebook is not a media company. It’s a Doomsday Machine.
When reality starts to sound like the plot of a James Bond film, it’s time to, uh, reverse course. What gets my attention is the notion that the problems as a result of Facebook out-scale the maker’s ability to “just turn it off.” Does that sound familiar to you? It’s the dystopian pre-story for a million science fiction movies. We may already be on the path to living out THX 1138.
➵Earlier this week, I signed up for David Hoang’s newsletter, and I’m sure glad that I did. In response to this week’s attack on the capital, David shares his views on the systems we are born into. He proffers how these systems come with their own unconscious biases and how they can play into the wrong hands, even in those cases when—looking in from the outside—it doesn’t make sense.
It turns out that because you experienced oppression, it does not make you immune from participating in other systems of oppression. Imagine how many unconscious bias decisions one might make a day. Think about when that’s multiplied by every human being for the last hundred years. Now, imagine when that bias is conscious, and someone made a deliberate decision to oppress. As Darien Boyd wrote, the system is working as designed. If you thought The Social Dilemma was enlightening around system design, wait till you read about systemic racism. Some of you might have similar upbringings of being raised in model minority families. They might not like a narcissistic president, in fact, they might despise him. However, he talks about communism, socialism, and the threat of it. That can be triggering for people who experienced it.
Taking in David’s perspective, my first thought is the need for us to live with a mindset of curious diplomacy. Given our society’s state and condition, we can’t afford to presume anything about one another. Nothing. Not even the smallest data point. I’m old enough to know the world isn’t black and white, but I’m beginning to understand that it’s also not gray—it’s full color. It’s our systems and biases that reduce the world to a smaller spectrum.
We’re not going to fix anything with a mindset that a few discussions will heal our combined culture. And this will require more than just listening. If we’re going to achieve some form of harmony (the kind I thought we lived in before the last four years, but I’m pretty sure I was wrong back then, too), then we have to be genuinely curious how our systems might work together through diplomatic means.
➵I haven’t seen anything online this creative and well executed for a long time. Reminds me of the days of Flash, but in a good way.
➵Rob Weychert will always be a source of inspiration as he seems to always be in motion. Not even a pandemic gets in his way. In fact it inspires him to dust off an old zine and publish a new issue.
Zaly began as a parody of the grassroots, amateur nature of zines. We initially made it entirely by hand and made a point of putting in as little effort as possible. Like Seinfeld, it was about nothing. Unlike Seinfeld, it was not remotely compelling. I’ve been looking through a lot of old punk zines this year, and that renewed interest, combined with quarantine ennui, created a fertile environment for a Zaly revival. I wanted to occupy Zaly’s anarchic creative space again, but I also wanted to have a physical artifact to share with friends, a way to connect across our pandemic boundaries of self-isolation without asking anyone to spend any more time staring at the screen of an electronic device.
I contacted the old Zaly crew (most of whom I still speak to regularly) with print specs and a call for submissions. We set a deadline and got to work. When the dust settled and the submissions were in, Zaly9 added up to 28 pages of invigorating nonsense. That page count doesn’t include the cover, adorned with a blurry image of an audio cassette which nods at the content’s mixtape essence while acknowledging that the endeavor is driven by nostalgia.
Click the link to see photos of early issues and the hotness of the latest. I love this idea. Maybe it’s time to for an Airbag zine…
➵➵It took 850 days, 74 tubes of soy ink, fifteen colours, 660 masters, 690,000 sheets of paper, three fans, two digital Riso duplicators and four people to complete this 360-page book that focuses on one thing: the process of Risograph printing.
Trying to stop globalization is like trying to hold back nature.
In recent years a different type of globalisation has accelerated. A new design aesthetic is taking over the world, spread not via brands or FDI [foreign direct investment], but through social media and the internet. Even as formal trade slows, the globalisation of taste is rampant. Starbucks may not have reached large chunks of the world, but there are very few large cities in the world now in which a visitor cannot order a latte surrounded by exposed wood and vintage light bulbs. Kabul boasts no McDonald’s, but you can get a decent burger and fries at Burger House, a restaurant that would not be out of place in San Francisco.
It does my heart good to see other cultures progressing without global brands dictating what’s in or out. This is the way.
➵It’s what happens when you host group chat in a shared design file. We used to do this from time-to-time at InVision using Freehand. I love Kicks’ take on this made even better with the soundtrack.
➵An easy to use punch list of senators and representatives who should be removed from office immediately—the 148 congress persons who voted to overturn the federal election. Although, the NYTimes missed one, Lindsey Graham, a prominent Trump supporter for the last four years who turned Judas only at the last minute.
Bonus list: The three senators who co-sponsored yesterday’s coup.
➵A new book from my favorite design publisher Gestalten. It’s more like a catalog that contains one thousand “photographic templates for the true-to-life and convincing presentation of their designs.”
➵Mandy Brown writes,
“Bro!” begins Headley’s delightful new translation of Beowulf, and from there unravels a tale of heroism and machismo and masculinity that honors the origins of the epic poem while also carrying it forward. There’s an unexpected irreverance and comedy here that elevates the usually gloomy tale into a story as brash and boisterous as the brags told by its eponymous protagonist. “He was our man, but every man dies. / Here he is now! Here our best boy lies! / He rode hard! He stayed thirsty! He was the man! / He was the man.” Indeed.
Definitely on the book list now. Especially with that cover by Keith Hayes—Gorgeous!
➵A group of Google workers have announced plans to unionize with the Communications Workers of America (CWA). The Alphabet Workers Union will be open to all employees and contractors at Google’s parent company. Its goal will be to tackle ongoing issues like pay disparity, retaliation, and controversial government contracts.
From a related CWA press release.
Google began as a small tech company with a “Don’t Be Evil” mantra, but has quickly become one of the most influential companies in the world. Alphabet, Google’s parent company, now has more than 120,000 workers. Yet half of Google workers at Alphabet companies are hired as TVCs—temps, vendors, or contractors—without the benefits afforded to full-time employees. Executives have been awarded tens of millions of dollars in exit packages after documented sexual harassment against fellow Googlers. And the company has taken on unethical government contracts, like drone targeting for the military, yet kept the nature of that technology secret even to the Googlers working on those projects. It has removed its past motto from its mission statement.
It’s a shame that companies tend to turn into what they started with the intent to avoid. And it doesn’t take 120,000 people for that change to happen. I’ve witnessed this first hand at companies that doubled in size too quickly (20 to 40 and again 500 to 1000). As revenues rise and more money is at stake, the culture starts to take body blows—Especially if investment money is on the line. It is a shame Google no longer lives up to its original intent. It just goes to show how difficult it is to stay the same as the company grows.
Based on my own employment experience with unions and after watching too many mob movies, I’m always leary of a union’s honest intent. But If the workers want to unionize because Google’s leadership isn’t responsive to their perspective—then (and not that it matters), I support their move. We spend too much time working as it is; there’s no need to make it worse with repressive culture. I hope forming the AWU brings about positive changes the members seek and that other groups who also need change might find their leadership more receptive and supportive.
➵The platform “reaches more than one million readers in 200 countries. Boasting a wide range of fiction and nonfiction, Glose carries ebooks and audiobooks from all major publishers, including Penguin Random House, HarperCollins, Macmillan, Hachette, and Simon & Schuster.”
The move seems to have been made to help Medium members discover (and therefore synthesize and share) more ideas. From Medium founder Ev:
Books are a means of exploring an idea, a way to go deeper. The vast majority of the world’s ideas are stored in books and journals, yet are hardly searchable nor shareable. With Glose, we want to improve that experience within Medium’s large network of engaged readers and writers.
Even more exciting, Medium intends to explore new ideas to evolve Glose beyond what it is today. Again from Ev:
We want to rethink the book-reading experience, and we’re hiring. If you’re a certain type of book-loving designer, product person, or engineer, this might be a dream job for you. Did I mention the books team will be based in Paris?
Travail de rêve en effet!
➵Just received an email notification about this publication. “A collaboration between Pop-Up Magazine’s Brand Studio and Google. It’s the print magazine extension of Google’s Year in Search campaign” which explains the PDF format. More from Pop-Up:
For the Year in Search magazine, we enlisted experts, artists, writers, scientists, photographers, and big thinkers to help make sense of this unforgettable year. They introduce us to their beloved dogs (page 20) and challenge us to rethink our relationship to the planet (page 42). We’re invited to taste a special bowl of noodles in Linghua (Lily) Qi’s kitchen (page 10) and sit in a barbershop chair for much more than a haircut (page 32). Each of these stories surprised us and moved us in its own way. Looking back on a year filled with unprecedented crises and systemic conflicts, we found stories of resilience, humor, community, and creativity.
I love collaborations like this and wish there were more.
➵For anyone in the online publishing business considering memberships of any and all kind comes this handy resource from a project called the Membership Puzzle Project.
In partnership with The Lenfest Institute and the Google News Initiative — released the Membership Guide. It is the culmination of three years of study and support for membership models in news. The Guide is like a little course in membership. It takes you through the steps. It tells you how to do each one. It identifies best practices. It warns about common mistakes. And it gathers into one place the lessons people have learned as they built their membership programs— including, of course, the errors and wrong turns. We spent six months pulling it all together, we consulted a lot of knowledgeable people to make sure we had it right, we talked to 50+ newsrooms — or individuals and organizations supporting newsrooms — on five continents, and we’re excited to share the results with you now.
While the site is a considerable resource, I would also recommend creating and updating a Business Model Canvas to help in this process.
➵An online archive of critical writing about design. The idea is to embrace the whole of design, from architecture and urbanism to product, fashion, graphics and beyond.
What a great resource. I’m surprised this isn’t part of Design Observer.
➵As a strategy, modern brands represent a specific business model. This model unlocks new sources of value at the time of economic involution. Modern brands make their products and services valuable beyond their function and utility; they build an architecture to deliver new value (like subscription or membership); and then find a new way to harness this value and turn it into profit.
This approach sounds very similar to David Hieatt’s strategy for building the Hiut Demum. Very digital-first, but it would seem that it works for more than things made of ones and zeros.
See also: The 4Cs of the Modern Brand, the Global Pandemic Edition
➵A Neiman contributor predicts more journalists going independent in 2021 through blog-based upstarts:
The primary difference is that these blogs, these magazines, these whatevers, will be built and guided by the individual creators for their audience, not by the executives they once reported to or their shareholders and owners. And that’s interesting. You’re unlikely to see a new brand from Condé Nast this year, which is still trying (and failing) to clean up the ongoing problems at Bon Appetit. But we’ve already seen exciting new launches like Defector, from the team that brought you Deadspin, and Brick House, a media cooperative owned by the editors of the publications that it houses.
More independent publishing on the web—yes please!
➵Seth Godin shares a tiny bit of wisdom this morning:
Some people hesitate to share an idea because they’re worried it will be stolen. In general, these people are afraid of success, not failure. An idea unspoken is a safe one, which not only can’t be stolen, but it can’t be tested, criticized, improved or used in the real world.
I can only think of one type of regret that a person can have when they are old, and that’s not putting their ideas out there and giving them a try.
➵A solid list from Polygon. Don’t miss the Star Wars books (and others like Dune and the Foundation) mentioned in the opening paragraph.
➵I love Erik Spiekermann just as much as the next designer, but it’s nice to have this article from the Financial Times featuring a different design/typography legend, Bruno Maag. He is the founder behind DaltonMaag, the second largest type foundry. While DaltonMaag may not be a household name, they are the studio behind typefaces for companies everyone has heard of like AirBnB, USA Today, and Amazon (they created Bookerly, the eye-pleasing font for the Kindle). As well as a large host of cities and companies not as well known.
Before reading this article, I didn’t know much about Bruno (which I intend to change), but I share his opinion on Helvetica:
When Maag dislikes something, he is prone to saying so bluntly, knowing that it will attract attention. One of his targets is Helvetica, the famous font that is owned by Monotype and can be seen everywhere from the New York City subway to museums. “It has become a lazy choice – if you can’t be bothered to think, pick Helvetica,” Maag says dismissively. “You know you can get away with it. You’re not putting yourself out there.”
Be sure to add this to your weekend list of long reads, but don’t wait because I don’t know how long the Financial Times keeps articles outside of their paywall.
➵A compelling, albeit nerdy, Apple fan conversation between John Gruber and Rene Ritchie.
➵After years of living and computing in a deep underground cave, Dave emerged unsatisfied by his Windows experiences and purchased a new M1 MacBook. And the totally comes out swinging with these two insults of macOS.
I miss Segoe. Probably going to offend some type nerds here, but San Francisco is too squatty. I also find macOS’ 1× type rendering pales in comparison to Windows’ type rendering. Type looks great on 2× but at 1× it’s too bold and looks like a lossy JPEG.
Ok, I might have to give him the bit about San Francisco because I’m not a huge fan either, but his comment about type rendering on Windows? Are you kidding me?! By the Nine Sons of Blind Poppycock! Windows renders type in the same way unaccountable government employees spray paint letters to form words on streets. And I’m pretty sure kerning doesn’t exist in Windows.
➵I found myself nodding in constant agreement with every statement Miles Surrey made about Ted Lasso, a new television program that debuted earlier this year on Apple TV+.
There have been plenty of good shows this year, and most of my favorites (Better Call Saul, ZeroZeroZero, Gangs of London) don’t quite renew one’s faith in humanity—frankly, they feel like appropriate 2020 viewing all the more for it. But no series I’ve watched this year has been more rewarding, on an emotional level, than Ted Lasso. I mean this sincerely: The show has struck an optimistic chord in my increasingly cynical heart and made me want to be a better person.
Ted Lasso was a blessing for Kitchen Storey and me this year. It is a program that entertained and made you feel like maybe the world might end up in an okay place. And perhaps it will if we can get more people to hang their guard on the coat rack and listen to what Ted has to say about life, peanut butter, and teamwork.
➵I have and will always be a fan of MailChimp, but this latest expression of their brand is too much. Before you click the link, take a restroom break, grab a beverage, tell your co-workers you won’t see them for a while because it takes forever to get through.
My biggest gripe is that there are points in this story where I should be able to click-through to the thing being presented, but there are no hyperlinks. For example, near the beginning, there is a yellow newsstand promoting Courier, the small business magazine MailChimp purchased earlier this year. In this promotion, three of the top stories are called out, yet I can’t click on any of them.
This means I can’t share any of the content—this report is like a six-foot blog post made up of one run-on sentence. It’s a shame because there are some really great stories about how their service is enabling companies to do their best work. Comicbook form storytelling has always been a part of the Mailchimp brand, but I preferred it when they just sent out actual comic books instead of producing an HTML based cartoon.
➵Enough dying already, @#$%! Unfortunately I had not heard of Anthony Veasna So until coming across this weird biography/obituary piece in the Times. Intrigued by what I read, I headed over to literary magazine N+1 and started reading So’s short story, Superking Son Scores Again—The Magic Johnson of badminton. I’m not all the way through, but already I’m hooked on his storytelling, and I’m pissed that such a great talent is gone. I’ve pre-ordered Anthony’s book, Afterparties: Stories, and I can already tell I’ll want more when I’m done.
➵Sounds a bit too similar to a haunting Robert Frost story:
It’s below freezing. The front valve stuck. The tire is almost deflated before I noticed. By now, there’s maybe 4 psi in the tire. I’m screwed, I think. It’s freezing rain. The bead is gonna break away from the rim. I know it. If the tire blows, I’ll have to walk home, do I have enough layers on to stay warm? I’m worried.
Thankfully nobody died of hypothermia but instead came away with a lesson in “free air life.”
➵The one hundred and twenty-eight questions and answers immigrants must know as part of their citizenship application.
These questions cover important topics about American government and history. The civics test is an oral test and the USCIS [U.S. Citizenship and Immigration Services] officer will ask you to answer 20 out of the 128 civics test questions. You must answer at least 12 questions (or 60%) correctly to pass the 2020 version of the civics test.
When the Karens and Terrys shout at minorities to go home, a citizenship test should be administered to see if they have what it takes to live in “America.” And if they fail, perhaps a lovely evening at an ICE detention center to help them reflect on their anger and actions.
➵I abhor silos, fiefdoms, and territories in the workplace. They are the toxic result of poor leadership, but that doesn’t mean we have to live with it. If you agree, then you’re going to love Misook Ji’s article. It is a design-centric call to action, every company should consider, and if you need a reason why Misook states it right up front:
Strong cross-discipline collaboration between design, research, engineering, and product management, makes a huge difference in adding value for consumers and businesses. Accenture’s Together Makes Better reports that companies that invested in cross-functional collaboration to drive digital transformation enjoyed 27% earnings growth from 2017 to 2019, while those that didn’t only achieve 2% growth.
The bottom line—collaboration equals positive revenue growth. Cross-discipline collaboration, when done right, means better communication, stronger ideas, and faster execution. Yes, this article emphasized product teams (design, engineering, management), but this approach works in every place where there are cross-discipline dependencies.
➵A nifty NYT piece by with instructions to make a chess set with paper, cardboard, and origami. If crafting isn’t your own thing then consider going all in with this Official World Chess set, the same one used for competition.
➵My head nodded in agreement when I read this statement by John on his blog, Daring Fireball. In his post, John quotes a passage from an article written by Richard Hofstadter for Harper’s magazine in November 1964. The Paranoid Style in American Politics describes a politically charged, divided country. While reading the paragraph, it is easy to imagine Richard wrote the article just yesterday to describe our current climate. While the 1960s did not contain a pandemic, other events turned the country into a powder keg: The Vietnam War, the Civil Rights Protests, and the assassinations of President Kennedy, Martin Luther King, and Senator Kennedy. I hope we never get to the point of mirroring all of the events from that time, but I too take a measure of comfort that the United States has been through tough times like these before.
➵A helicopter pilot found a frozen glacial lake and hot mopped it to create a small playing surface. Two helicopters, several trips, and many COVID tests later, they played hockey.
Red team vs. Blue team. With a single net, the men played two games of “half-ice,” hockey’s answer to half-court basketball.
I love this—hockey’s version of Volta.
➵A New York Times Magazine photo essay on the work behind mail-in ballots—from printing to counting. As always, the NYT crew creates a wonderful experience to tell the story.
➵Sure, everyone’s (including mine) goto for Thanksgiving is Planes, Trains & Automobiles but Les Nessman’s classic live broadcast of a turkey giveaway came first.
➵This might kill the Nintendo Switch for me. I’ve never been a huge Nintendo fan, I got one primarily for the new Zelda title. Since then Nintendo has been slow to release anything new and compelling. Streaming would also help me reduce the number of devices I have which is always a big plus. The only thing that might be better is if Microsoft brings their Gold Pass service to iOS.
➵Like I needed one more reason to visit Japan.
➵From an adapted excerpt of President Barack Obama’s new memoir, A Promised Land published by The Atlantic comes this thought from Obama about writing while he drafted his presidential memoirs:
I still like writing things out in longhand, finding that a computer gives even my roughest drafts too smooth a gloss and lends half-baked thoughts the mask of tidiness.
I haven’t written anything by hand in so long I don’t know what I might be missing. Though it does not share any insights into his process, here’s an interesting story on Obama’s literary past including authoring his first book, Dreams From My Father.
➵Quick note, if you’re not following Mr. Ruperts blog then get on it. Moving on, Dave shares a lesson learned on blogging:
I made a mistake. Three weeks ago I settled into a nice blogging flow and had a decent stream of published posts. It felt so good to get ideas out of my head. Sitting on a handful of nearly done posts, I was putting the finishing touches on one of my precious thoughvomits, I got the bright idea to spice it up by adding some illustrations…
I chuckled because I did this about a year ago inspired by blogs that use Unsplash to add an image to every post. It’s easy to search for a photo, but illustrations not so much. I concur with Dave’s thoughts including his conclusion—“Don’t do this.”
➵Boxes and Arrows makes the case for dropping old, conventional wisdom in the face of new learnings from research:
Let’s stop counting clicks. The speed, conversion rates, and user satisfaction for your product are in no way connected to the number of clicks a user makes. And once we start limiting clicks, our page quickly starts to look like a directory: a list of every option, tiny font, in alphabetical order. For the user, this ultimately ends up feeling like we’re looking for a needle in a haystack. This is not the experience we’re hoping to achieve. Instead, we should focus on the human. We should zero in on how they want to use our application. The less experience they have, the higher the risk and the stranger the situation, the more stress the task entails.
Designing to simplify a users life is always the path to victory.
➵If you love publishing then I have an event for you. The annual magCulture conference is now a two-day affair, November 17 and 18, with each day dedicated to a theme.
The first session has ‘Activism’ as its central theme, highlighting the power of magazines as platforms for change from both historical and contemporary standpoints. The second session is based around the theme ‘Analogue’, reminding us that there’s more to magazine-making than computers. How can editors and art directors maintain a human touch?
The speakers are a wonderful collection of designers, editors, authors, and founders from an eclectic range of publications from The Atlantic to Record Culture. The price point for admission is very affordable and the sessions run late in the UK which means early attendance here in the US.
➵A glimpse of well preserved North Korean hospitality architecture (interior and exteriors) heavenly influenced by 1970’s China, East Germany, and the Soviet Union. Looks like a bunch of Wed Anderson film sets without the heavy use of Futura.
The photos are from a new book published out of Australia.
➵It’s great to see book stores getting a competitive tool. I’ve heard from friends they love the service, so I’ll have to try this myself. I wish there was a way to do this with ebooks that had a competitive reader to Amazon’s Paperwhite reader.
➵Not much, but newspapers know that already. Today, endorsements are a time for the leadership to reflect on “what that publication is, what it advocates, how it thinks, what principles it holds dear.”
➵I hope this community makes it. Good Reads is so cluttered and feels neglected (so does Comixology, another Amazon owned reading community) which makes for a horrible experience. Literal on the other hand is direct with a clean, inviting design.
➵A short, intriguing conversation between Monocle on Design and Alan Dye, Apple vice-president of human-interface. Everything is covered from typography to the design of the hand-washing feature.
➵Given the metric tons of shit we’re all dealing with right now, it’s nice to have some comedy back in our lives. Watch the trailer and you’ll see for yourself, the writing is just as sharp and smart as it was. And it proves that while satire might need a break, comedy—when done right—still works.
What’s that? You don’t like animation? Either learn to appreciate the format and have a laugh or go grow some grass from seeds you harvested one at a time.
➵Even before they get to talking about food, I can tell I’d love Gaggan Anand and his restaurant by the same name.
The meal cost $400 and came with rules. No. 1: No using cellphones, except to document the dinner and the chefs preparing it. “Please do the Instagram, the Facebook, the Twitter; give me the fame, I need the fame,” said Gaggan Anand, whose restaurant bore the same name. Clad in black, with a booming voice that suited his hulking figure, he stalked between a vast kitchen island and an L-shaped table for 14. “Those of you with good cameras, if you can take a photo of me scratching my ass, you get a bottle of Champagne.
And more rules, perhaps the best saved for last.
Limits on trips to the bathroom. “The first hour is all belted in,” he said. “After that, we will not give toilet breaks”—the meal would last the usual five hours—“but if you have to, just go quickly and come back. Think of this as a nonsmoking flight with no Wi-Fi, no network, and it’s an Indian airline, so nothing works and it’s very turbulent. You might be crashing soon, so you’d better enjoy.
Gotta love a good sense of humor. Especially when you’re approaching a four hour long dinner.
➵Feels like there is rarely good news about the Internet these days. Maybe that’s why this morning’s news of the return of Gowalla was especially welcome.
Gowalla was a beloved iOS application. It was one of the first to encourage real-world exploration by rewarding users to register or check-into the place they were visiting. Places could be anything from a park to a public building to the corner watering hole. The quality of the design was second to none and featured an ever-expanding catalog of icons illustrated by Brian Brasher. A lot of work went into the brand that extended beyond the digital experience. It was warm, welcome, and made travel–of all kinds—more fun.
Unfortunately, it didn’t take long for a competing experience to appear in the form of Foursquare which paired business check-ins with coupons. It was ugly and lacked personality, but the value proposition of savings a dollar off a margarita was enough to attract more users. Gowalla was shut down in 2012.
This morning a tweet from an old Twitter account announced the return of Gowalla though with a different experience based on augmented reality. I’m just glad to have it back. It’s so great to see the Gowalla brand and its kangaroo back in the world.
➵JetBrains Mono is designed specifically for developers. Featuring a taller x-height and, my favorite, ligatures for code. Both features make code much, much easier on the eye. Thank to Mr. Boms.
➵American aviation company Boom Supersonic unveiled a scaled prototype—called “Baby Boom”—of a supersonic aircraft earlier today. The larger vehicle is scheduled to be finished in 2025 with commercial flights taking place approximately four years later. Flights like Tokyo to Seattle, New York to London, and Montreal to Paris will take four hours on the new aircraft. In addition to this amazing news, Boom won a contract last month to design a future version of Air Force One.
➵In my experience many of the problems encountered are due to pour alignment as a result of even worse communication. And I think we’ve all had to bear the brunt of the results more often than we care to recall.
To help improve both communication and alignment in product design and development, Phil Gilbert (GM of IBM Design) came up with “Playbacks” as a “place where the results of all the detailed operational decisions are shown and alignment is kept with a minimum of fuss.” They are a key in IBM Design Thinking. Playbacks have evolved a bit from their original scope to become a vital tool for alignment across teams and levels of leadership. To achieve success It should not be considered a tool but a fundamental practice in product management as it is done at IBM.
My friend and former colleague Colin Naver has presented many of Playbacks during his tenure at IBM. Recently he published an article on this practice and how it has helped his career in product management and design.
➵Finally available for Macintosh, the software allows the use of both E-body and digital still cameras for online use. If you find yourself in online meetings frequently and have a Sony camera you’ll want to check this out.
➵Bloomberg CityLab has thoughts on how to prepare. TL;DR: Prepare to spend time in the out of doors and in the cold. So, order your Canada Goose Expeditions and practice your hot run cocktail recipes because you’re going to need it with all the ice fishing in your near future.
➵On his way to his next venture, health and wellbeing columnist Oliver Burkman sums up years of writing and research.
What follows isn’t intended as an exhaustive summary. But these are the principles that surfaced again and again, and that now seem to me most useful for navigating times as baffling and stress-inducing as ours.
Some very useful and practical advice. You’re all going to want to read through this and likely save a copy to Pocket.
➵I look forward to the drone delivery failure videos.
➵Don’t read this, click the link and give them twenty dollars. Why are you still here?
➵Bookmark this site. Use it. And share it with everyone in your network.
➵Also an interesting look at which states are more progressive about voting than others. I was surprised to see New York doesn’t support mail-in ballots.
➵An interesting data visualization from the The Economist. The data charts out search patterns to find we are genuinely interesting in how to live a more healthy lifestyle.
➵And on this day the design community received a gift from the heavens in the form of Emigre magazine, for free.
The final six issues of Emigre magazine, co-published with Princeton Architectural Press from 2003-2005, are now available as free PDF downloads from the Emigre website. These six pocket-book sized volumes were a final effort by Emigre to highlight and encourage critical writing within graphic design. We believed that design, as a cultural force, was worthy of an evaluative look, so we turned an inquisitive eye on our profession. All six issues have sold out years ago. We’re now making them available for free to anybody who’d like to revisit or who missed the excitement of the often heated debates that were circulating within graphic design during the early years of the 21st century.
If you liked Emigre and want more of that type of writing consider the digital publications Design Observer and Brand New, and Eye magazine—which just published its 100th issue.
➵As anticipated here’s BrandNew on the Seattle Kraken identity:
While the rest of the year crumbles around us, 2020 has been a very good one for sports logos and now we have a team called the Kraken and while that could easily go wrong in so many ways this doesn’t disappoint in any single way. I don’t know what it is about “Kraken” but whether it’s rum or robotics it’s a name that delivers so much without breaking a sweat and, here, when paired with “Seattle” it just blows up instantly with the mere idea that a kraken could live in the Puget Sound. As if the attention to detail wasn’t so good so far, the secondary logo of an anchor has the Space Needle at the top. I mean, c’mon!
I could not agree more.
➵In case any of you were thinking this whole pandemic thing is close to ending soon—buy a better mask and tuck in.
➵While we wait for BrandNew to run their feature, here is the backstory as told by ESPN. Interesting tidbit, Adidas pitched the owners on having a seat at the table during the creative development.
➵An older article that includes this piece of advice:
Ask Murray about his reputation as the master of surreal celebrity encounters and he grimaces, not eager to explain his motivations. But he will concede that he’s aware of how his presence is received. “No one has an easy life,” he says. “It’s this face we put on, that we’re not all getting rained on. But you can’t start thinking about numbers—if I can change just one person, or I had three nice encounters. You can’t think that way, because you’re certainly going to have one where you say, ‘What did I just do?’ You’re a disappointment to yourself, and others, imminently. Any second.”
Something to remember when you’re cruising through Instagram.
➵This is exactly why bloggers should never have been treated like members of the press earlier in the century. The rise of editorial content in the form of blogging (without proper disclaimers and public education) helped to propagate ignorance on what is news versus editorial. And then cable television jumped on the bandwagon and turned what was left of news into nothing but 24/7 editorial and punditry, though it is consumed as “news.” What’s really a shame (and not currently helping) is that members of the Baby Boomer generation—who grew up on Walter Cronkite—can’t tell the difference anymore.
By the way, we still have a good old fashioned news program. It’s called PBS Newshour.
➵Monocle 24 talks to the sibling owners of Canlis, the best restaurant on the West coast, on their multiple, amazing pivots during the pandemic. “How do we throw our entire selves in being three completely different restaurants.” They prepared long before the shut-down and have kept all 1500 of their people employed.
A must listen to everyone in business.
➵All of the justifications you’ll ever need for owning a personal site and publishing a blog. If you’re dragging your heels on this then please click the link and read through. Found via Adactio.
➵Wow! From their email announcement:
We’re excited to share that Courier, a London-based media company, has recently joined the Mailchimp family. Courier’s mission is to help modern small business founders and entrepreneurs like you work smarter, realize your dreams, and live life on your terms. And starting today, we’re bringing Courier’s stories, interviews, and guides to the Mailchimp site, so all our customers can benefit from their insights.
Courier’s existing website is still up and running. The MailChimp version seems to be selective (maybe?) about which articles are brought over. And there is a distinctive difference in the creative direction between the two properties.
➵Mr. Hoefler with an interesting tidbit on the usage guidelines for the Biden campaign: “Working together, we came up with some guidelines for the campaign’s typography, which would help articulate thoughtful messages with attentive typography. Words of action would be set in Decimal’s declarative small capitals, while the supporting syntax would rely on Mercury Text Grade Four.”
➵This has to be one of the best episodes of 99% Invisible ever.
➵A National Geographic podcast with a cool story about “a mechanical engineer teams up with an unlikely band of students who use middle school math and science to create artificial glaciers that irrigate Ladakh, a region in India hit hard by climate change.”
➵A terrific point taken from “The design systems between us,” an insightful essay from Ethan on the cost of dedicated design tools and development decisions may not scale outside of engineering.
Modern digital teams rarely discuss decisions in terms of the collaborative costs they incur. It’s tempting—and natural!—to see design-or engineering-related decisions in isolation: that selecting Vue as a front-end framework only impacts the engineering team, or that migrating to Figma only impacts designers. But each of these changes the way that team works, which impacts how other teams will work and collaborate with them.
If you’re in the business, I encourage you to read and re-read this post because it alludes to another evolution in our industry that will shake things up. It’s not clear if it will be good or bad for designers and/or developers, but it has the potential to have a bigger impact than Responsive and Ajax combined.
➵A Wes Anderson film starring Bill Murray about a newspaper—are you kidding me?! Ye gods! I hope the suits aren’t going to sit on this until a cure for COVID-19 is found. I don’t care what’s playing, going to a movie theatre is at the very bottom of my post-pandemic checklist.
➵I love it when my interests converge with independent magazine publishing. My copies of Senet have not arrived just yet but by the photos, this looks to be a fantastic publication.
The magazine promotes board gaming as an art form. Each issue includes previews of the most exciting and intriguing upcoming games, features which explore the tabletop experience and the creative processes behind it, and reviews of the latest releases from both major and independent publishers.
The tell will be in the quality of the writing, but I’m hopeful and look forward to future issues.
➵I had the honor of being the first guest on Uncle Weepy’s Depression Dungeon podcast. It’s all giggles and slapstick in the beginning but Joy the Myofunctional Therapist brings the conversation back to Planet Real to talk about unmet life goals. Thanks Joy!
➵One last interview with Milton Glaser. Wise words up until the very end.
➵Great work and good for a solid laugh throughout the collection. Snagged from Coudal Partners.
➵— Milton Glaser
A response to a reader of Mag Men—Fifty Years of Making Magazines by Walter Bernard and Milton. I highly recommend the physical book over the Kindle version due to the nature of the visual content.
➵“…the board has decided to dismantle the organization in its current state and end the lease on the Club’s physical space. The board believes the club should be reconstituted in a new, more inclusive form, under different leadership in the future.”
This is in response to the TDC called out recently for racist perspectives and practices by a former board member Juan Villanueva. He writes, “I hate burning bridges but the bridge of racism needs to burn.”
➵The Republican Party has a year, maybe two, to completely retool their program or they’ll never see a majority seat again. I hope they do, but as long as the current guard is in power they’ll go to the grave clutching old ideals that will die with them.
➵Super happy that the Sounders will get the opportunity to defend their title.
➵“I’m a professor who teaches and a consultant who advises various organizations, married to a committed working spouse [and] the mom of four children: the oldest is seven; the youngest is just over six months old.
I’ve come to believe that the difference between going to bed feeling content or disappointed at the end of the day has a lot to do with the expectations we set for ourselves. Let’s lower our standards. Better yet: Let’s use this moment to shift them to something more reasonable.”
Solid advice from a mom who knows a thing or two about the hustle.
➵I can’t say that I’m surprised. When I read the analysts' reports about this move to ARM my first thought was, Basecamp is screwed. I believe this happened before when Apple made the move from PowerPC to Intel. I can’t imagine that Microsoft will lift a finger to create a version of Windows that will run on ARM chipsets which possibly means this is the end to dual-boot Macs (emulators will possibly figure this out if there is an adequate market demand). This seriously puts a cramp into my initial thoughts about switching to PC gaming instead of buying into the next generation of consoles. Maybe it’s time to follow in Dolan’s footsteps and take up chess.
➵A must-buy t-shirt with a design that is a “nod to the art/design/tech community while (always and forever) reminding folks that ‘Black Lives Matter.'” Proceeds go to worthy charities.
➵Epicurious provides an interesting cooking challenge professional chef versus a home cook and their respective recipes. Other interesting challenges: Omelets and pasta bolognese.
➵The kind folks at creative agency Hüman After All put “everything [they] learned during more than a decade working in independent publishing.”
➵“I will start by making a bold claim: I think most people don’t even have any idea what a dinosaur is.” Now we just need a similar guide for Jeff Goldblum.
➵For when you absolutely, positively need to reach out and touch someone. First and foremost, put a damn mask on and keep it on!
➵It’s a shame that Valiant did not make the list this year. Immortal Hulk, Doctor Doom, Invisible Kingdom, Once & Future, and Undiscovered Country were all delightful news to me and I picked up the first story arc for all of the titles (Marvel books are on sale right now and regularly). I also came upon The White Trees, Afterlift, and Starship Down. I love it when the Eisner Awards points me to titles I would have never considered checking out otherwise.
➵What better way to kick off a new week than with free, amazing type? I wish more Monday’s started off this way.
Apple has recently licensed fonts from type foundries such as Commercial Type, Klim Type Foundry and Mark Simonson Studio to be used as system fonts on Mac OS Catalina. But since these fonts are an optional download, many users of Mac OS X are not even aware they have access to them for free.
Over-saturation of Domaine, Produkt, and Publico is imminent.
➵One day event with a solid line up of speakers and content. At $350 this is a no-brainer for An Event Apart experience.
➵Ten years on, Ethan shares his story for creating the compositional framework that evolved the World Wide Web.
➵Jonathan Hoefler writes in-depth about his search for a replacement to pangrams and their use to proof type.
➵Convincing Indeed. I’m a sucker for 90’s web design but I don’t know that I’d ever way to bring back non-aliased type. We’ve come a long, long way in typography. Thanks for the link, Ethan.
➵A fun read with a kicker!
As great as “Yesterday’s Enterprise” is, it is a source of some regret for one of its key creative architects.
“I wish we did this as the plot for Generations,” Moore says, referencing the first Star Trek feature film featuring The Next Generation crew that he co-wrote with Brannon Braga. “If we hadn’t have done that episode, then [the movie] would have been the Enterprise-A coming through that wormhole, and you’d have Spock and Kirk and everyone on that ship, we’d play the same story. They — the original crew — they had to go back to their deaths. And Guinan knew Kirk, and Guinan knew Picard, and that would have been an amazing movie.”
Can you imagine? I agree with Brannon, this plot would have made a fantastic film. There is a lot behind this one storyline that a cinematic format could have addressed so much better.
➵I’m literally freaking out right now.
➵Harvard Business Review examines four scenarios that would lead to economic depression and why each scenario is unlikely. So why do we keep hearing about a pending depression? “We think at least part of the answer is the extreme intensity of the coronavirus shock.”
➵The Daily looks at the history of domestic policy, current situation, and the future of the US oil industry. One conclusion: “Energy security is an illusion.”
➵Seeing the flying fish market in Pikes Place operating behind the chain barrier is chilling.
➵A comprehensive social distancing guide to urban etiquette and ethics.
➵You can replace “your own shoes” with anything that is difficult to capture by yourself. Pay attention to Matt’s instructions because “the Camera app on the watch is a little buggy.” Not sure if the URL is going to work for Windows users so if it’s not working just visit A Whole Lotta Nothing and look for the post.
➵I’m not a virtual background person myself, so I’d like to point out that these images also make fine backgrounds for computers and devices.
➵Themed cases don’t normally float my boat but Holy Toledo this one is an exception.
➵The work was a joint effort between artist Imogen Heap and a UK based creative agency called Field. I enjoyed the story behind this work (near the bottom of the page) and how Imogen seemingly wandered around Armonk—IBM headquarters—to record different sounds to incorporate in the work. It reminded me of watching Ben Burtt share his many stories on creating sounds for Star Wars in a similar fashion. And any time IBM Plex (one of the all-time best type families) gets front-row attention it’s worth sharing.
➵A much-appreciated list from Mr. Jonathan Hoefler who writes:
All five [books] share a sincerity, an attention to detail, and a sense of humor that has kept me smiling for weeks. I hope you’ll enjoy them as much as I have.
If reading is not your thing then I encourage you to stop watching tiger trash and enjoy Jonathan’s episode of Abstract on the subject of typography.
➵A history of the Seattle Mariners, “who in their early years did nothing but screw around and play out some of the weirdest stories in the history of baseball.” Let me tell you, it is weird. Thanks for the link, Stephen.
➵Vox looks at models (from left, center, and right-leaning institutions) projecting how to return people back to work and restart the economy while the virus continues to linger. One insight that seems certain: Mass-and-ongoing testing (when the nation has built the infrastructure) and mass surveillance are coming to the Land of the Free, Home of the Brave, and Never Ready for a Real Crisis.
It might be a good time to brush up on 1984.
➵As part of a stay at home, play at home campaign the game publishers are giving away resources during the quarantine—Especially for parents.
With schools closed around the world, many parents and caregivers are at home with their kids, including many in the D&D community. If you are in need of fun & educational material to share and/or play with your kids, you can check back here each day for D&D stuff to help during this time. If you (or someone you know) is a younger gamer, we’re also releasing resources to make it even easier to get into D&D.
When I was in grade school the smart kids were pulled into special creative and critical thinking classes. One of the things we did was play Dungeons & Dragons to teach a number of team mechanics and to extend our imagination.
➵I recommend starting with The Paint Wizard, a “portrait of Millie “The Paint Wizzard” McCrory, who decided at the age of 58 to change her name and pronouns and embrace her authentic self, cat ears and all.”
➵Be sure to add this to your reading list for the weekend. I mean come on, it’s not like you have anything else to do. Parents, give this article to your children and have them present a report on what they learned. It’s not like they have anything else to do either.
➵“Zoom is sloppy. Zoom also has made poor privacy decisions.” Via Daring Fireball.
➵Sad to see it go. I would have liked to see what evolution looked like for all the effort they put into the design. I shudder to think how many more of these announcements are coming.
➵Since joining InVision I have been repeatedly asked to share my tactics and techniques for facilitating a remote workshop. Happy to see this finally make it out into the world.
➵Stephen Gates shares how he makes engaging Keynote presentations using intermediate to advanced techniques. Time to up my game for future talks and playbacks.
➵No, this isn’t a poor attempt at an April 1st joke, the system is shut down and with it the digital side as well. I can appreciate why they are doing this and I’m behind it, but Wednesdays have zero meaning for me now. It’s stupid, like pre-Thursday.
➵Sound advice on how to live sanely during lockdown by astronaut Scott Kelly who lived onboard the International Space Station for a little more than a year. My next favorite piece: Follow a schedule.
➵I suspect demand will grow for better experiences to interact with other people as more time goes by and we’re all bouncing off the walls. I’m joining a Shadowrun campaign with some friends in Seattle and we’re already looking at the best way to do it virtually or maybe we just need a big room and table so we can sit six feet away from each other.
➵If you happen to be fortunate enough to live in New York, New York, I can’t think of a better escape from all the craziness than this exhibit from the Type Director’s Club.
➵An interesting look behind the scenes of what it looks like to manage an entire airline, and the current decision making to reduce risk to passengers and the company.
On Friday, in an extraordinary letter to employees, chief executive Ed Bastian announced a 40 percent cut in capacity—the biggest in Delta’s history, including after 9/11. “The speed of the demand falloff is unlike anything we’ve seen.”
Feels like airline mergers are on the horizon again. Here’s Business Insider on “the fallout” from 9/11 and the coronavirus.
➵While working with Jesse I noticed that his video looked remarkably better than mine. In this post, he documents his entire setup which includes a Sony A6000. Cool setup! I’m going to dig into this and make improvements to the Airbag headquarters.
➵An op-ed piece from Beth Cameron, former senior director for global health security and biodefense on the White House National Security Council:
When President Trump took office in 2017, the White House’s National Security Council Directorate for Global Health Security and Biodefense survived the transition intact. Its mission was the same as when I was asked to lead the office, established after the Ebola epidemic of 2014: to do everything possible within the vast powers and resources of the U.S. government to prepare for the next disease outbreak and prevent it from becoming an epidemic or pandemic. One year later, I was mystified when the White House dissolved the office, leaving the country less prepared for pandemics like covid-19.
No doubt part of the Drain the Swamp Make America Great Again initiative. Now we’re living in a swamp and America doesn’t feel so great. Nice work.
➵Something weird is happening with the Large Hadron Collider. Perhaps something wonderful?
➵“Coachella—sadly no.” An informative, single-function site with a bit of dark humor mixed in for good measure.
➵“Let this be a lesson: Make sure you’ve selected the correct printer when you’re at work when printing personal stuff.”
➵My friend and engineering partner Jesse just published the entire backstory of saving and migrating eighteen years of Airbag content to a brand new tech stack, including that one time when my trusty old webserver died the week before we were to start the migration process. Fun times!
➵From Wired magazine (I gotta hand it to those folks, they’re trying to bring back the magic. Be a cynic all you want but I’d rather live in a world that’s trying to bring the magazine back to its roots than one that just gives up. Okay, back to the story about languages.):
Python is one of the world’s most popular programming languages. In fact, it’s more so than ever. Python climbed from third place to tie for second in the latest ranking of programming language popularity published by the analyst firm RedMonk.
You know, this site used to run on Movabletype that was initially powered by Python. Maybe it’s time to bring it back. Just kidding Jesse!
➵Working on three different branding projects, I have browsed through a good deal of type families lately. Most families contain a fair amount of glyphs (boxes, stars, etc.) but on occasion, I’ve come across the symbol of a pointing hand. I didn’t think much about its use until recently after coming across the article “Point, don’t point.”
[The] pointed-finger symbol goes by many names: mutton fist, printer’s fist, bishop’s fist, pointer, hand director, indicule, or most unimaginatively as “a hand.” Scholarly consensus has pretty much settled on the word “manicule”, from the Latin maniculum, meaning “little hand.”
Scribes and scholars—sometimes readers—used a manicule to “emphasize a significant word, phrase or passage” much like how readers today use a highlighter. FF Franziska, the type family used in the upcoming Airbag design refresh has such a mark and now I am intrigued on how to incorporate it here in the future.
➵It’s not just the sound, but the visual of all the cards—all the data—spinning until the right combination of information is found. These signs are also known as split-flat displays and found in many train stations (in Europe anyway). It’s a shame to read they are being phased out.
➵From the official website: “Atari Hotels level up hotel entertainment with fully immersive experiences for every age and gaming ability, including the latest in Virtual and Augmented Reality.” It makes sense to integrate a hotel around these entertainment options given the popularity of gaming. But only if the tech and content are constantly updated. Otherwise, it will end up like today’s movie theater lobbies rocking Time Crisis II and Sega OutRun.
➵The same year also saw a new record for most digital checkouts.
➵“In the creative world we hear an awful lot about collaboration, but it seems that while working together is essential to bring an idea to life, it’s not that good for shaping ideas in the first place.”
➵A poignant opinion piece inspired by the debut of William Gibson’s new book, Agency.
➵Years ago I had the fortune of an hour long flight around San Francisco Bay in an airship and it was one of the most relaxing things I’ve done. It’s like traveling by train but the view is infinitely better.
➵All of the lesson’s from Abstract second season episode, “Jonathan Hoefler: Typeface Design” including six that “didn’t make the cut.”
➵It’s a pity we didn’t preserve the sites in time. Seeing a screenshot is one thing, but websites are more than that.
➵“Google picked a problem they thought to be really hard on a classical machine, but IBM now has demonstrated that the problem is not as hard as Google thought it was,” says Jonathan Dowling, a professor at Louisiana State University.
As a fellow IBMer it makes me feel good to see Big Blue getting into a bit of a street fight here. While I didn’t work with the quantum computing folks directly, I followed some of their work and it’s truly badass—IBM doing what their brand always makes me think of: Deep research and development into the future.
➵A first person account of the record breaking 19 hour non-stop flight from New York City to Sydney, Australia. The flight was setup to run a number of experiments including how to get passengers through such a grueling flight while acclimating to the destination time during the travel.
Marie Carroll, a professor at the University of Sydney who’s overseeing the passenger research on the flight, rallies her troops at the back of the plane. “This is the time, guys, when we really have to work through this,” she tells them. Moments later, they’re leaning against the food trolleys in the galley, stretching. Next, they perform upright press-ups among the empty economy sets. As a finale, they attempt synchronized dance moves in the aisles. All in the name of science. It looks like cabaret, but beating jet lag is serious business. Beyond the sleepless nights and daytime fatigue, experts say critical processes including heart function and metabolism are upset when the body clock gets disrupted.
It will be interesting to see how the research impacts the passenger experience on future long-haul flights. I once flew from Dallas to Shanghai and it took 14.5 hours and even though I had a first class cabin on a brand new Boing 787, the travel affects hit me like a wall and it took an entire day to recover.
As the number of annual airline passengers increases from “[4.6 billion this year to 8.2 billion by 2037](4.6 billion this year to 8.2 billion by 2037 “4.6 billion this year to 8.2 billion by 2037”)” I’m sure this research will come in handy. Meanwhile, the Guardian pledges “How to explore the world without harming it."
➵From the editors of Wired magazine:
Climate change. Flawed algorithms. Deadly diseases. Tech monopolies. We are facing many existential challenges that need to be tackled head-on before it’s too late. Many of these problems are of our own making, consequences of our relentless push for progress. Fortunately, there are lots of people who are racing to save us from ourselves—progress we can definitely get behind.
It’s great to see Wired getting back into its game, and on these topics.
➵If you ever wanted to purchase a FontShop family or two, now is the time. From the looks of it, new families are being added daily until—my guess-the reach day thirty.
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